qrod's profile
AGE:
23
LOC: Sidney, OH
GEN: Male
LAST LOGIN: May 20
LOC: Sidney, OH
GEN: Male
LAST LOGIN: May 20
block. stop. rumbles by.
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Version 1
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It’s Tuesday and I wake up to my alarm with a headache. My mouth is dry and my back already feels sore. There’s a thin sheet of light peeking between the sliding doors separating the living room and the dining room, but it’s quiet in the house and I can tell that my mother has already left for work. I get up off the living-room floor. I have to wake my brother’s up for school so I check my brother’s rooms and see that both of them are sleeping. It’s kind of hilarious; John is a lanky fourtee...
Version 1
15 Reviews
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What? Setting: A humble-sort, old-fashioned kitchen. Gas stove. Pictures of chickens on the walls. A table and two chairs. Cast: John- A gray haired old man, very serious towards his wife, average sized. Millie- A gray haired old woman. Overweight, but not obese. Succumbing to senility. Never without a faux-attentive look on her. Nicole- Daughter of Millie and John. Early thirties. Very pretty and casual. Joshie- Son of Nicole, five years old. Enjoying a day of school for a doctor’s appointme...
Version 1
6 Reviews
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This is a First Draft. What I remember most is the suffocating closeness of people all around me. The feeling of knowing the person next to you intimately and at the same time not caring if they lived or died just so you could have another second in the sun and in the open space. And I remember the cold. The feeling that must be similar to your heart stopping, or gangrene spreading throughout your arms and legs and head. The inability to stop your body from shaking. And just waiting to become...
Version 1
1 Review
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I like to wake up in the early mornings for a cigarette before I have to start working. I rub the crust from my eyes and groan at the sound of my alarm. Getting up, I pull on my pants and the shirt I wore the night before and grope my way to the bathroom while my eyes adjust. I stare at myself in the mirror for a few minutes wondering how my eyes got to be so dark, uninviting. The circles around them have gotten darker too. Like my mother would say, "Look at those raccoon eyes, you're not sle...
Version 1
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“It’ll happen this time, I know it will. It’ll happen. It’ll happen.” The rocks Randy and I had stacked on the train tracks stood at least two feet high, big ones and the bottom and smaller ones on top. The last few times we didn’t have a special way of stacking them, we just did it however we wanted, but it never worked, so we had to find a new way. We figured that if we put the big rocks at the bottom, then it’ll help push the train up off the tracks and then the smaller rocks on top would...
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I'm pretty sure that I'm an asshole when it comes to poetry, but this poem is pretty excellent. Your meter is fantastic, it reads as snarky, and punchy. It's very effective. And you're word play is amazing. e.g. "roll the dice and change the name of the game to One life left to live" I don't so much like the explicit lines though. Lines like "your words are soothing but your actions cut me / i’m all torn up on the inside / sewing up old wounds just to pass the time / couldn’t you tell some of...
Alright, this piece is kind of complicated. There are alot of boons to this WIP. You have a fantastic way with pacing and linear flow. Physically, I can always follow where you are going and understand how and why you get there. I think that's a pretty difficult skill to master. However, I take issue with a few things as well. It seems to me that you are trying carefully to layer Mortimer's character in an ambiguous way with lines like "Had he done this to himself?", "He’d felt something whil...
This writing is sort of interesting, I don't think I've read something that relied so explicitly on violence for a long long time. But there's probably a good reason for that. I'm not sure if there are other sections to this piece or not, but right now this is a badly scattered mess, in terms of having a linear plot and grammar both. But I do have a bit of a sensation that the grammar may be intentional, it does have sort of a ring to it. Do you understand? This piece opens with a line about ...
you know rach, I don't know what struck me to read this, but it was definitely good idea. I love how it really works together. And playing poker with everyone was so damn fun.
this is very evocative language, I can say that much. I don't know much about the haiku form, but this doesn't seem to have much of an overall mood to it. What do magic, forests and 'live gravestones' have to do with one another?
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