| Ten most frequent two-word phrases: |
| josiah lemming |
20 |
| first time |
4 |
| young woman |
4 |
| josiah lemming’s |
4 |
| autumn le’s |
3 |
| like you” |
3 |
| curtis koch |
3 |
| i’ll see |
3 |
| le’s apartment |
3 |
| just like |
3 |
|
| Ten most frequent three-word phrases: |
| autumn le’s apartment |
3 |
| josiah lemming thinks |
2 |
| kisses josiah lemming |
2 |
| whole head begins |
1 |
| host slapped curtis |
1 |
| doesn’t say anything |
1 |
| just slide perfectly |
1 |
| josiah lemming’s eye |
1 |
| josiah lemming’s notebook |
1 |
| every animal thought |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| on the |
25 |
| josiah lemming |
20 |
| of the |
13 |
| at the |
13 |
| autumn le |
11 |
| in the |
11 |
| stop it |
9 |
| to the |
8 |
| his eyes |
8 |
| it is |
8 |
|
| Ten most frequent three-word phrases, including stop words: |
| it stop it |
8 |
| stop it stop |
8 |
| the first time |
4 |
| want to be |
4 |
| on the floor |
4 |
| don’t you like |
4 |
| the young woman |
3 |
| you want to |
3 |
| none of it |
3 |
| this is the |
3 |
|
| Most frequent two-word phrases: |
| josiah lemming |
20 |
| young woman |
4 |
| josiah lemming’s |
4 |
| first time |
4 |
| like you” |
3 |
| curtis koch |
3 |
| le’s apartment |
3 |
| autumn le’s |
3 |
| i’ll see |
3 |
| just like |
3 |
| will ever |
2 |
| come back |
2 |
| don’t want |
2 |
| bartender chuckles |
2 |
| song writing |
2 |
| left alone” |
2 |
| everyone else |
2 |
| bartender asks |
2 |
| i’ve failed |
2 |
| head begins |
2 |
| universal city |
2 |
| came back |
2 |
| kisses josiah |
2 |
| “autumn le” |
2 |
| josiah smiles |
2 |
| mouse hair |
2 |
| josiah looks |
2 |
| josiah’s eyes |
2 |
| don’t think |
2 |
| just poured |
2 |
| tonight show |
2 |
| bright red |
2 |
| lemming thinks |
2 |
| science fiction |
2 |
| single one |
2 |
| bitter anyway |
2 |
| josiah doesn’t |
2 |
|
| Most frequent three-word phrases: |
| autumn le’s apartment |
3 |
| kisses josiah lemming |
2 |
| josiah lemming thinks |
2 |
|
| Most frequent five-word phrases: |
| stop it stop it stop |
7 |
| it stop it stop it |
7 |
| you want to be left |
3 |
| on the other side of |
2 |
| as soon as he does |
2 |
| i'd give you my life |
2 |
| her for the first time |
2 |
| want to be left alone” |
2 |
| autumn le kisses josiah lemming |
2 |
| assumes you want to be |
2 |
|
| Most frequent two-word phrases, including stop words: |
| on the |
25 |
| josiah lemming |
20 |
| at the |
13 |
| of the |
13 |
| in the |
11 |
| autumn le |
11 |
| stop it |
9 |
| it is |
8 |
| his eyes |
8 |
| it stop |
8 |
| the canvas |
8 |
| to the |
8 |
| the bar |
7 |
| and the |
7 |
| you like |
7 |
| the bartender |
7 |
| of it |
6 |
| want to |
6 |
| of us |
6 |
| this is |
6 |
| he is |
6 |
| the same |
6 |
| as he |
6 |
| is the |
5 |
| and i |
5 |
| the ocean |
5 |
| in a |
5 |
| the first |
5 |
| out of |
5 |
| the scientists |
5 |
| the floor |
4 |
| i don’t |
4 |
| you want |
4 |
| the easel |
4 |
| josiah lemming’s |
4 |
| but i |
4 |
| he knows |
4 |
| to be |
4 |
| young woman |
4 |
| don’t you |
4 |
| but it |
4 |
| first time |
4 |
| he doesn’t |
4 |
| it was |
4 |
| at him |
4 |
| but the |
4 |
| he does |
4 |
| the horizon |
4 |
| to make |
4 |
| eyes on |
3 |
| the worst |
3 |
| curtis koch |
3 |
| she asks |
3 |
| the one |
3 |
| he has |
3 |
| none of |
3 |
| of his |
3 |
| if i |
3 |
| of him |
3 |
| lemming is |
3 |
| under the |
3 |
| the young |
3 |
| his keyboard |
3 |
| at his |
3 |
| to say |
3 |
| give you |
3 |
| like you” |
3 |
| of paper |
3 |
| have a |
3 |
| the universal |
3 |
| sits at |
3 |
| why don’t |
3 |
| i know |
3 |
| his favorite |
3 |
| side of |
3 |
| be left |
3 |
| that it’s |
3 |
| he could |
3 |
| like a |
3 |
| she says |
3 |
| i am |
3 |
| just like |
3 |
| she looks |
3 |
| in his |
3 |
| piece of |
3 |
| i was |
3 |
| le’s apartment |
3 |
| some are |
3 |
| to change |
3 |
| the other |
3 |
| on his |
3 |
| looks at |
3 |
| trying to |
3 |
| know that |
3 |
| all the |
3 |
| his fist |
3 |
| for the |
3 |
| through the |
3 |
| the end |
3 |
| the two |
3 |
| of a |
3 |
| what he |
3 |
| see you |
3 |
| autumn le’s |
3 |
| it wasn’t |
3 |
| have to |
3 |
| he wants |
3 |
| i’ll see |
3 |
| we are |
3 |
| with it |
2 |
| could not |
2 |
| time he |
2 |
| red under |
2 |
| do it |
2 |
| palette and |
2 |
| to give |
2 |
| hair is |
2 |
| to look |
2 |
| to murmuring |
2 |
| begins to |
2 |
| the wind |
2 |
| is getting |
2 |
| head begins |
2 |
| of josiah |
2 |
| i like |
2 |
| in front |
2 |
| up in |
2 |
| josiah has |
2 |
| his head |
2 |
| front of |
2 |
| universal city |
2 |
| looking at |
2 |
| most of |
2 |
| single one |
2 |
| josiah’s eyes |
2 |
| relate to |
2 |
| it just |
2 |
| mouse hair |
2 |
| science fiction |
2 |
| he knew |
2 |
| his set |
2 |
| to do |
2 |
| and there |
2 |
| a few |
2 |
| to him |
2 |
| his car |
2 |
| i can |
2 |
| the helmet |
2 |
| that i |
2 |
| after the |
2 |
| so much |
2 |
| to see |
2 |
| no one |
2 |
| wrote a |
2 |
| whispers in |
2 |
| comes out |
2 |
| her for |
2 |
| of them |
2 |
| left alone” |
2 |
| don’t think |
2 |
| what is |
2 |
| tonight show |
2 |
| him to |
2 |
| smiles and |
2 |
| painting is |
2 |
| she has |
2 |
| all of |
2 |
| is bright |
2 |
| tries to |
2 |
| not a |
2 |
| city is |
2 |
| is where |
2 |
| he wrote |
2 |
| he can |
2 |
| on a |
2 |
| fist through |
2 |
| song writing |
2 |
| filled with |
2 |
| will ever |
2 |
| bartender chuckles |
2 |
| where i |
2 |
| out to |
2 |
| “autumn le” |
2 |
| an answer |
2 |
| two of |
2 |
| i don't |
2 |
| other side |
2 |
| love and |
2 |
| has to |
2 |
| like the |
2 |
| to paint |
2 |
| the brush |
2 |
| it comes |
2 |
| when he |
2 |
| worst is |
2 |
| out with |
2 |
| once he’s |
2 |
| i relate |
2 |
| the songs |
2 |
| to not |
2 |
| his whole |
2 |
| paint what |
2 |
| neatly in |
2 |
| says to |
2 |
| the horizon” |
2 |
| he feels |
2 |
| laughed and |
2 |
| “i’ll have |
2 |
| the front |
2 |
| you on |
2 |
| le kisses |
2 |
| lost in |
2 |
| eyes are |
2 |
| bright red |
2 |
| everyone else |
2 |
| help it |
2 |
| bitter anyway |
2 |
| i'm not |
2 |
| the sky |
2 |
| getting so |
2 |
| few minutes |
2 |
| was all |
2 |
| really is |
2 |
| it up |
2 |
| he can’t |
2 |
| us are |
2 |
| sitting at |
2 |
| the lights |
2 |
| it has |
2 |
| neither of |
2 |
| but he |
2 |
| for him |
2 |
| have been |
2 |
| you my |
2 |
| to autumn |
2 |
| of her |
2 |
| he writes |
2 |
| soon as |
2 |
| skin is |
2 |
| they all |
2 |
| i’ve failed |
2 |
| the perfect |
2 |
| to her |
2 |
| to get |
2 |
| answers out |
2 |
| where he |
2 |
| the world |
2 |
| came back |
2 |
| as well |
2 |
| to call |
2 |
| bar and |
2 |
| to write |
2 |
| assumes you |
2 |
| story once |
2 |
| behind the |
2 |
| that this |
2 |
| the tonight |
2 |
| painting the |
2 |
| poured out |
2 |
| turns to |
2 |
| on monday” |
2 |
| think that |
2 |
| it's easier |
2 |
| to my |
2 |
| while you |
2 |
| you think |
2 |
| hate me |
2 |
| was the |
2 |
| on every |
2 |
| are you |
2 |
| josiah and |
2 |
| the only |
2 |
| come back |
2 |
| into the |
2 |
| the palette |
2 |
| he was |
2 |
| just poured |
2 |
| the back |
2 |
| he thinks |
2 |
| josiah doesn’t |
2 |
| they are |
2 |
| it reads |
2 |
| say it |
2 |
| eyes and |
2 |
| this way |
2 |
| don’t want |
2 |
| he puts |
2 |
| like to |
2 |
| as the |
2 |
| can be |
2 |
| need to |
2 |
| a second |
2 |
| the wall |
2 |
| i have |
2 |
| tried to |
2 |
| you next |
2 |
| his answers |
2 |
| i'd give |
2 |
| my life |
2 |
| the studios |
2 |
| is filled |
2 |
| i figure |
2 |
| is over |
2 |
| her skin |
2 |
| bartender asks |
2 |
| that was |
2 |
| kisses josiah |
2 |
| as soon |
2 |
| the audience |
2 |
| is painting |
2 |
| josiah smiles |
2 |
| a story |
2 |
| like me |
2 |
| is a |
2 |
| the words |
2 |
| lemming thinks |
2 |
| make you |
2 |
| of autumn |
2 |
| me to |
2 |
| not conforming |
2 |
| of songs |
2 |
| not bitter |
2 |
| the sea |
2 |
| the sun |
2 |
| are of |
2 |
| josiah looks |
2 |
| the story |
2 |
| how cliché |
2 |
| the morning |
2 |
| get his |
2 |
| there is |
2 |
| are sitting |
2 |
| at josiah |
2 |
| his feet |
2 |
| by the |
2 |
| are the |
2 |
|
| Most frequent three-word phrases, including stop words: |
| it stop it |
8 |
| stop it stop |
8 |
| don’t you like |
4 |
| the first time |
4 |
| want to be |
4 |
| on the floor |
4 |
| at the bar |
3 |
| the young woman |
3 |
| none of it |
3 |
| on the easel |
3 |
| i’ll see you |
3 |
| autumn le’s apartment |
3 |
| on the canvas |
3 |
| josiah lemming is |
3 |
| you want to |
3 |
| this is the |
3 |
| why don’t you |
3 |
| to be left |
3 |
| autumn le kisses |
2 |
| the worst is |
2 |
| to the bartender |
2 |
| i know that |
2 |
| i relate to |
2 |
| “i’ll have a |
2 |
| the other side |
2 |
| kisses josiah lemming |
2 |
| the palette and |
2 |
| as soon as |
2 |
| for the first |
2 |
| a story once |
2 |
| red under the |
2 |
| sitting at the |
2 |
| of us are |
2 |
| his eyes and |
2 |
| get his answers |
2 |
| i don’t think |
2 |
| under the lights |
2 |
| that this is |
2 |
| le kisses josiah |
2 |
| head begins to |
2 |
| on the bar |
2 |
| other side of |
2 |
| the two of |
2 |
| of the ocean |
2 |
| piece of paper |
2 |
| neither of us |
2 |
| you on monday” |
2 |
| to make you |
2 |
| i don’t want |
2 |
| you my life |
2 |
| i'd give you |
2 |
| universal city is |
2 |
| is the end |
2 |
| josiah lemming thinks |
2 |
| of the bar |
2 |
| you like me |
2 |
| be left alone” |
2 |
| wrote a story |
2 |
| the bartender asks |
2 |
| he was the |
2 |
| his answers out |
2 |
| the tonight show |
2 |
| i'm not bitter |
2 |
| side of it |
2 |
| is getting so |
2 |
| to paint what |
2 |
| the bartender chuckles |
2 |
| his fist through |
2 |
| assumes you want |
2 |
| poured out of |
2 |
| give you my |
2 |
| on the other |
2 |
| is filled with |
2 |
| not bitter anyway |
2 |
| her for the |
2 |
| lost in the |
2 |
| he has to |
2 |
| is bright red |
2 |
| we are the |
2 |
| soon as he |
2 |
| in front of |
2 |
| most of the |
2 |
| is painting the |
2 |
| of autumn le’s |
2 |
| see you next |
2 |
| just poured out |
2 |
| a few minutes |
2 |
| worst is over |
2 |
| sits at the |
2 |
| getting so much |
2 |
| out with it |
2 |
| her skin is |
2 |
| as he does |
2 |
| to say it |
2 |
|
| Most frequent four-word phrases, including stop words: |
| stop it stop it |
8 |
| it stop it stop |
7 |
| want to be left |
3 |
| why don’t you like |
3 |
| you want to be |
3 |
| the other side of |
2 |
| soon as he does |
2 |
| on the other side |
2 |
| red under the lights |
2 |
| wrote a story once |
2 |
| i’ll see you next |
2 |
| autumn le kisses josiah |
2 |
| i'd give you my |
2 |
| i'm not bitter anyway |
2 |
| get his answers out |
2 |
| for the first time |
2 |
| don’t you like me |
2 |
| give you my life |
2 |
| the worst is over |
2 |
| le kisses josiah lemming |
2 |
| this is the end |
2 |
| as soon as he |
2 |
| of autumn le’s apartment |
2 |
| just poured out of |
2 |
| to be left alone” |
2 |
| her for the first |
2 |
| sitting at the bar |
2 |
| assumes you want to |
2 |
| is getting so much |
2 |
|