| Number of paragraphs: |
9 |
| Average number of sentences per paragraph:: |
29.33 |
| Longest Sentence: |
'it was like a miniature town all of it’s own, each honest and un-honest soul, jammed together in hard little rooms, family feuds growing with the years and a thousand lives that meant nothing to the world all ending in their separate ways.' (43 words) |
| Shortest Sentence: |
'a room.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
5.73 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-2.46 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
1.4 |
Average readability (the higher, the harder to read): |
1.56 |
| Ten most frequent two-word phrases: |
| long ago |
3 |
| see nothing |
2 |
| “he’s taken |
2 |
| junkie’s twitch |
2 |
| third floor |
2 |
| silver bells |
2 |
| first time |
2 |
| long gone |
2 |
| dancing fire |
1 |
| every discarded |
1 |
|
| Ten most frequent three-word phrases: |
| echoes cover centuries |
1 |
| real power lies |
1 |
| bone flute flows |
1 |
| life rises across |
1 |
| mayor can’t pay |
1 |
| still plays better |
1 |
| long forgotten reason |
1 |
| nearly seventy years |
1 |
| finding remarkably hard |
1 |
| sometimes stronger still |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| in the |
21 |
| of the |
18 |
| is the |
11 |
| the fire |
11 |
| he is |
10 |
| to the |
10 |
| he had |
9 |
| and the |
8 |
| the first |
7 |
| there is |
7 |
|
| Ten most frequent three-word phrases, including stop words: |
| it might have |
4 |
| might have been |
4 |
| there is the |
4 |
| the fire the |
3 |
| have been he |
2 |
| nothing at all |
2 |
| had told her |
2 |
| he raises his |
2 |
| and he had |
2 |
| colour of the |
2 |
|
| Most frequent two-word phrases: |
| long ago |
3 |
| see nothing |
2 |
| “he’s taken |
2 |
| junkie’s twitch |
2 |
| third floor |
2 |
| silver bells |
2 |
| first time |
2 |
| long gone |
2 |
|
| Most frequent five-word phrases: |
| the boy with the limp |
2 |
| it might have been he |
2 |
| might have been he heard |
2 |
|
| Most frequent two-word phrases, including stop words: |
| in the |
21 |
| of the |
18 |
| is the |
11 |
| the fire |
11 |
| he is |
10 |
| to the |
10 |
| he had |
9 |
| and the |
8 |
| it is |
7 |
| from the |
7 |
| there is |
7 |
| the first |
7 |
| with the |
6 |
| and he |
6 |
| that is |
6 |
| the last |
5 |
| his mind |
5 |
| have been |
5 |
| into the |
5 |
| is not |
5 |
| as if |
5 |
| the second |
4 |
| he has |
4 |
| of his |
4 |
| the world |
4 |
| is a |
4 |
| might have |
4 |
| the music |
4 |
| there are |
4 |
| in all |
4 |
| as the |
4 |
| it might |
4 |
| a thousand |
4 |
| she had |
4 |
| of course |
4 |
| they are |
4 |
| for the |
4 |
| the only |
4 |
| the sea |
4 |
| by the |
3 |
| if you |
3 |
| the river |
3 |
| enough to |
3 |
| his head |
3 |
| a man |
3 |
| colour of |
3 |
| at least |
3 |
| look up |
3 |
| and a |
3 |
| when he |
3 |
| (who is |
3 |
| across the |
3 |
| at all |
3 |
| the years |
3 |
| on the |
3 |
| fire the |
3 |
| the old |
3 |
| was a |
3 |
| for a |
3 |
| in a |
3 |
| the darkness |
3 |
| but it |
3 |
| the colour |
3 |
| like this |
3 |
| not the |
3 |
| it was |
3 |
| the cloak |
3 |
| is gone |
3 |
| little more |
3 |
| of a |
3 |
| to die |
3 |
| the coat |
3 |
| when the |
3 |
| the third |
3 |
| in his |
3 |
| long ago |
3 |
| a long |
2 |
| and wasted |
2 |
| floor is |
2 |
| a ghost |
2 |
| memory of |
2 |
| silver bells |
2 |
| and white |
2 |
| bones and |
2 |
| you see |
2 |
| the sky |
2 |
| if he |
2 |
| the edge |
2 |
| above the |
2 |
| long gone |
2 |
| who is |
2 |
| is no |
2 |
| you would |
2 |
| third floor |
2 |
| he raises |
2 |
| he tells |
2 |
| to his |
2 |
| shuffle and |
2 |
| a piper |
2 |
| is strong |
2 |
| laughed at |
2 |
| he plays |
2 |
| where the |
2 |
| but he |
2 |
| the woman |
2 |
| against the |
2 |
| his lips |
2 |
| black and |
2 |
| edge of |
2 |
| hurts to |
2 |
| of them |
2 |
| the children |
2 |
| his pride |
2 |
| at him |
2 |
| nothing but |
2 |
| the thin |
2 |
| had told |
2 |
| music is |
2 |
| like the |
2 |
| but a |
2 |
| the town |
2 |
| been he |
2 |
| how he |
2 |
| and terrible |
2 |
| come here |
2 |
| junkie’s twitch |
2 |
| the stories |
2 |
| not a |
2 |
| boy with |
2 |
| him what |
2 |
| the city |
2 |
| the rats |
2 |
| strange and |
2 |
| and in |
2 |
| the less |
2 |
| told her |
2 |
| nothing at |
2 |
| woven into |
2 |
| like a |
2 |
| what is |
2 |
| then the |
2 |
| see nothing |
2 |
| the piper’s |
2 |
| the night |
2 |
| the photograph |
2 |
| before the |
2 |
| after that |
2 |
| the flames |
2 |
| before him |
2 |
| honest and |
2 |
| nether the |
2 |
| and then |
2 |
| and yet |
2 |
| than any |
2 |
| told the |
2 |
| as they |
2 |
| he can |
2 |
| the laughter |
2 |
| raises his |
2 |
| has come |
2 |
| is old |
2 |
| heat that |
2 |
| are the |
2 |
| trying to |
2 |
| into it |
2 |
| a little |
2 |
| with a |
2 |
| more than |
2 |
| coat is |
2 |
| the man |
2 |
| heard those |
2 |
| he was |
2 |
| the meeting |
2 |
| had been |
2 |
| first time |
2 |
| hates himself |
2 |
| he doesn’t |
2 |
| this is |
2 |
| he stops |
2 |
| loved him |
2 |
| the boy |
2 |
| of broken |
2 |
| “he’s taken |
2 |
| the end |
2 |
| the piper |
2 |
| is like |
2 |
| from it |
2 |
| it hurts |
2 |
| what he |
2 |
| of hamelin |
2 |
| here to |
2 |
| and his |
2 |
| it’s not |
2 |
| he knows |
2 |
| it and |
2 |
| his tale |
2 |
| the sun |
2 |
| sharp and |
2 |
| a single |
2 |
| the story |
2 |
| the limp |
2 |
| and dark |
2 |
| should be |
2 |
| has no |
2 |
| he heard |
2 |
| tonight he |
2 |
|
| Most frequent three-word phrases, including stop words: |
| it might have |
4 |
| there is the |
4 |
| might have been |
4 |
| the fire the |
3 |
| edge of the |
2 |
| he is the |
2 |
| it is the |
2 |
| is not a |
2 |
| to his lips |
2 |
| nether the less |
2 |
| there is no |
2 |
| he had been |
2 |
| but it is |
2 |
| the first time |
2 |
| the boy with |
2 |
| has come here |
2 |
| the third floor |
2 |
| nothing at all |
2 |
| trying to die |
2 |
| he raises his |
2 |
| he was a |
2 |
| come here to |
2 |
| it hurts to |
2 |
| of the sea |
2 |
| he had told |
2 |
| colour of the |
2 |
| been he heard |
2 |
| the colour of |
2 |
| the edge of |
2 |
| when the last |
2 |
| to the world |
2 |
| in the end |
2 |
| and he had |
2 |
| boy with the |
2 |
| with the limp |
2 |
| have been he |
2 |
| for the first |
2 |
| laughed at him |
2 |
| had told her |
2 |
| the coat is |
2 |
| above the fire |
2 |
| there are the |
2 |
|
| Most frequent four-word phrases, including stop words: |
| it might have been |
4 |
| above the fire the |
2 |
| the boy with the |
2 |
| the edge of the |
2 |
| for the first time |
2 |
| boy with the limp |
2 |
| have been he heard |
2 |
| might have been he |
2 |
| has come here to |
2 |
| colour of the sea |
2 |
| he had told her |
2 |
|