| Number of paragraphs: |
27 |
| Average number of sentences per paragraph:: |
43.48 |
| Longest Sentence: |
'“beyond the stars you see in the sky,” she begins, as she relocates thousand and one arabian nights to her own home planet light years beyond ancient earth, “lies a land of peace and plenty…” janeway is midway through the ali baba and the forty ' (54 words) |
| Shortest Sentence: |
'“a latte.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
5.8 |
Readability according to Automated Readability Index (the higher, the harder to read): |
0.08 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
5.4 |
Average readability (the higher, the harder to read): |
3.76 |
| Ten most frequent two-word phrases: |
| donala pei |
21 |
| admiral pei |
10 |
| holo deck |
6 |
| captain janeway |
5 |
| don’t know |
5 |
| viddian fleet |
5 |
| sir gilles |
5 |
| gilles’ blade |
4 |
| harry kim |
4 |
| voyager’s bridge |
4 |
|
| Ten most frequent three-word phrases: |
| nothing else happens |
3 |
| stolen body parts |
3 |
| light years beyond |
2 |
| “after i’ve seen |
2 |
| janeway doesn’t hesitate |
2 |
| first among equals” |
2 |
| arrows struck gilles |
2 |
| done many things |
2 |
| can leave right |
1 |
| xiv meanwhile aboard |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| of the |
48 |
| to the |
33 |
| on the |
29 |
| the doctor |
21 |
| donala pei |
21 |
| in the |
21 |
| as she |
19 |
| the bridge |
18 |
| at the |
17 |
| to be |
17 |
|
| Ten most frequent three-word phrases, including stop words: |
| again and again |
8 |
| the holo deck |
6 |
| francis and clare |
6 |
| at the same |
6 |
| of the lake |
5 |
| the viddian fleet |
5 |
| i have no |
4 |
| appears to be |
4 |
| a thousand years |
4 |
| seven of nine |
4 |
|
| Most frequent two-word phrases: |
| donala pei |
21 |
| admiral pei |
10 |
| holo deck |
6 |
| sir gilles |
5 |
| viddian fleet |
5 |
| captain janeway |
5 |
| don’t know |
5 |
| body parts |
4 |
| harry kim |
4 |
| thousand years |
4 |
| gilles’ blade |
4 |
| 13th century |
4 |
| donala pei’s |
4 |
| templar knight |
4 |
| voyager’s bridge |
4 |
| many things |
4 |
| tom paris |
4 |
| i’ve seen |
3 |
| single combat |
3 |
| stolen body |
3 |
| years beyond |
3 |
| nothing else |
3 |
| delta quadrant |
3 |
| sick bay |
3 |
| gilles’ sword |
3 |
| janeway smiles |
3 |
| else happens |
3 |
| middle ages |
3 |
| gilles smiles |
3 |
| hand weapon |
3 |
| even though |
3 |
| light years |
3 |
| pei screams |
3 |
| gives janeway |
3 |
| found nothing |
3 |
| donala pei” |
3 |
| maximum warp |
3 |
| one becomes |
3 |
| thirteenth century |
3 |
| moments later |
3 |
| will never |
3 |
| security detail |
3 |
| even one |
2 |
| gilles stands |
2 |
| janeway looks |
2 |
| far corner |
2 |
| sharp look |
2 |
| it’s time |
2 |
| gille’s blade |
2 |
| she’s seen |
2 |
| without comment |
2 |
| moment later |
2 |
| will die |
2 |
| viddean woman |
2 |
| struck gilles |
2 |
| asteroid belt |
2 |
| best warrior |
2 |
| far away” |
2 |
| i’ll ever |
2 |
| ship’s deck |
2 |
| three miracles |
2 |
| man named |
2 |
| “after i’ve |
2 |
| self-destruct sequence |
2 |
| b’lanna torres |
2 |
| combat site |
2 |
| janeway decides |
2 |
| remains silent |
2 |
| cheering up” |
2 |
| tell us” |
2 |
| gilles never |
2 |
| doctor says |
2 |
| janeway doesn’t |
2 |
| seven changed |
2 |
| norman knight |
2 |
| sir gilles’ |
2 |
| who’s dressed |
2 |
| janeway stares |
2 |
| janeway demands |
2 |
| san francisco |
2 |
| one aboard |
2 |
| wondrous blade |
2 |
| never will |
2 |
| beautiful woman |
2 |
| dilithium crystals |
2 |
| think i’m |
2 |
| master level |
2 |
| first among |
2 |
| doctor calls |
2 |
| silk nightgown |
2 |
| now offers |
2 |
| cargo hold |
2 |
| young man |
2 |
| “its weight |
2 |
| i’ve never |
2 |
| man who’s |
2 |
| viddian soldiers |
2 |
| anyone else |
2 |
| “the viddians |
2 |
| doesn’t hesitate |
2 |
| older man |
2 |
| meet again” |
2 |
| seven says |
2 |
| among equals” |
2 |
| space suited |
2 |
| good time |
2 |
| becomes one |
2 |
| viddian flagship |
2 |
| leads gilles |
2 |
| heavy sigh |
2 |
| katheryn janeway |
2 |
| janeway protests |
2 |
| long way |
2 |
| janeway suddenly |
2 |
| many times” |
2 |
| right hand |
2 |
| pei’s word |
2 |
| says finally |
2 |
| don’t touch |
2 |
| species 2904 |
2 |
| first time |
2 |
| done many |
2 |
| turns away |
2 |
| voyager’s crew |
2 |
| it’s--- it’s--- |
2 |
| ship’s champion |
2 |
| pei gives |
2 |
| beam weapon |
2 |
| “one hundred |
2 |
| never abandoned |
2 |
| gilles says |
2 |
| pei looks |
2 |
| “how long |
2 |
| left assisi |
2 |
| 25th century |
2 |
| strange woman |
2 |
| sensor found |
2 |
| still invisible |
2 |
| diamond white |
2 |
| janeway thinks |
2 |
| much faster |
2 |
| arrows struck |
2 |
|
| Most frequent three-word phrases: |
| nothing else happens |
3 |
| stolen body parts |
3 |
| light years beyond |
2 |
| “after i’ve seen |
2 |
| janeway doesn’t hesitate |
2 |
| first among equals” |
2 |
| arrows struck gilles |
2 |
| done many things |
2 |
|
| Most frequent five-word phrases: |
| right hand on the hilt |
2 |
| to the holo deck where |
2 |
| italy of the thirteenth century |
2 |
| weapon again and again and |
2 |
| on the hilt of his |
2 |
| to a far corner of |
2 |
| a course for the asteroid |
2 |
| again and again and again |
2 |
| i travel so much faster |
2 |
| hand on the hilt of |
2 |
| gives janeway a sharp look |
2 |
| a far corner of the |
2 |
| set a course for the |
2 |
| to be the ship’s champion |
2 |
| the man in the cassock |
2 |
|
| Most frequent two-word phrases, including stop words: |
| of the |
48 |
| to the |
33 |
| on the |
29 |
| donala pei |
21 |
| the doctor |
21 |
| in the |
21 |
| as she |
19 |
| the bridge |
18 |
| at the |
17 |
| to be |
17 |
| the voyager |
15 |
| the viddian |
15 |
| from the |
14 |
| the ship’s |
14 |
| and the |
14 |
| as he |
13 |
| in a |
13 |
| for the |
12 |
| with a |
12 |
| as the |
11 |
| i have |
11 |
| admiral pei |
10 |
| the voyager’s |
10 |
| and a |
9 |
| of his |
9 |
| and his |
9 |
| his blade |
9 |
| his weapon |
9 |
| one of |
9 |
| the lake |
9 |
| francis and |
8 |
| the holo |
8 |
| the woman |
8 |
| to a |
8 |
| you to |
8 |
| you have |
8 |
| i will |
8 |
| the same |
8 |
| again and |
8 |
| and again |
8 |
| seven and |
8 |
| the man |
8 |
| a moment |
7 |
| only one |
7 |
| i was |
7 |
| of my |
7 |
| to her |
7 |
| the norman |
7 |
| her to |
7 |
| the longbowman |
7 |
| of your |
7 |
| of a |
7 |
| are you |
7 |
| the ship |
7 |
| all of |
7 |
| would be |
7 |
| in her |
7 |
| i know |
6 |
| for his |
6 |
| to janeway |
6 |
| and clare |
6 |
| the first |
6 |
| appears to |
6 |
| to do |
6 |
| to see |
6 |
| with the |
6 |
| his opponent |
6 |
| with his |
6 |
| that the |
6 |
| as if |
6 |
| even as |
6 |
| the ensign |
6 |
| this time |
6 |
| for you |
6 |
| to his |
6 |
| holo deck |
6 |
| he says |
6 |
| through the |
6 |
| his sword |
6 |
| and i |
5 |
| her own |
5 |
| viddian fleet |
5 |
| him with |
5 |
| when i |
5 |
| has been |
5 |
| from his |
5 |
| of her |
5 |
| from a |
5 |
| captain janeway |
5 |
| you can |
5 |
| the two |
5 |
| to gilles |
5 |
| that she |
5 |
| do you |
5 |
| the borg |
5 |
| as they |
5 |
| to tell |
5 |
| gilles is |
5 |
| of our |
5 |
| i think |
5 |
| when the |
5 |
| want to |
5 |
| the suit |
5 |
| no one |
5 |
| into a |
5 |
| as you |
5 |
| know you |
5 |
| she says |
5 |
| all the |
5 |
| be the |
5 |
| “i have |
5 |
| in his |
5 |
| to him |
5 |
| and gilles |
5 |
| sir gilles |
5 |
| against one |
5 |
| will be |
5 |
| the viddians |
5 |
| so much |
5 |
| only a |
5 |
| don’t know |
5 |
| the field |
4 |
| it’s as |
4 |
| struggles to |
4 |
| this ship |
4 |
| donala pei’s |
4 |
| him to |
4 |
| of nine |
4 |
| over the |
4 |
| against the |
4 |
| when he |
4 |
| thousand years |
4 |
| name is |
4 |
| to hear |
4 |
| she wonders |
4 |
| once again |
4 |
| to know |
4 |
| her eyes |
4 |
| body parts |
4 |
| a few |
4 |
| have a |
4 |
| her side |
4 |
| you know |
4 |
| a thousand |
4 |
| “do you |
4 |
| his own |
4 |
| have no |
4 |
| the machine |
4 |
| many things |
4 |
| for a |
4 |
| his great |
4 |
| as a |
4 |
| she calls |
4 |
| if you |
4 |
| the door |
4 |
| her condition |
4 |
| you want |
4 |
| his part |
4 |
| to birds |
4 |
| harry kim |
4 |
| must have |
4 |
| each other |
4 |
| finds herself |
4 |
| there is |
4 |
| 13th century |
4 |
| “you have |
4 |
| “who are |
4 |
| trying to |
4 |
| you are |
4 |
| the templar |
4 |
| voyager’s bridge |
4 |
| calls out |
4 |
| tom paris |
4 |
| be a |
4 |
| by the |
4 |
| i don’t |
4 |
| she does |
4 |
| that i |
4 |
| “i would |
4 |
| seven of |
4 |
| gilles’ blade |
4 |
| across the |
4 |
| to its |
4 |
| like a |
4 |
| matter of |
4 |
| the three |
4 |
| as for |
4 |
| an hour |
4 |
| the crowd |
4 |
| templar knight |
4 |
| and i’ve |
4 |
| the blade |
4 |
| a heavy |
4 |
| the universe |
3 |
| the man’s |
3 |
| the last |
3 |
| gilles to |
3 |
| becomes a |
3 |
| men to |
3 |
| or two |
3 |
| his shield |
3 |
| becomes all |
3 |
| do we |
3 |
| stolen body |
3 |
| the delta |
3 |
| the great |
3 |
| in space |
3 |
| delta quadrant |
3 |
| sick bay |
3 |
| gilles’ sword |
3 |
| he smiles |
3 |
| it’s a |
3 |
| hundreds of |
3 |
| matter how |
3 |
| “i don’t |
3 |
| else happens |
3 |
| hand weapon |
3 |
| who has |
3 |
| janeway smiles |
3 |
| points to |
3 |
| save me |
3 |
| will not |
3 |
| one becomes |
3 |
| he looks |
3 |
| turns to |
3 |
| your ship |
3 |
| and to |
3 |
| need to |
3 |
| a very |
3 |
| to find |
3 |
| his men |
3 |
| see you |
3 |
| a simple |
3 |
| but her |
3 |
| a minute |
3 |
| back to |
3 |
| if i |
3 |
| gilles smiles |
3 |
| the knight |
3 |
| once more |
3 |
| janeway a |
3 |
| with her |
3 |
| “it’s not |
3 |
| a small |
3 |
| she must |
3 |
| thomas who |
3 |
| and he |
3 |
| the instant |
3 |
| agree with |
3 |
| the thirteenth |
3 |
| with that |
3 |
| are a |
3 |
| and tuvok |
3 |
| what do |
3 |
| the flagship |
3 |
| he gave |
3 |
| must be |
3 |
| are many |
3 |
| that is |
3 |
| have been |
3 |
| gilles in |
3 |
| viddians are |
3 |
| to get |
3 |
| was a |
3 |
| on your |
3 |
| light years |
3 |
| du lac |
3 |
| he said |
3 |
| as we |
3 |
| a single |
3 |
| do not |
3 |
| from gilles |
3 |
| thirteenth century |
3 |
| have the |
3 |
| for me |
3 |
| hand on |
3 |
| had to |
3 |
| same moment |
3 |
| pei and |
3 |
| security detail |
3 |
| not even |
3 |
| it is |
3 |
| his head |
3 |
| to leave |
3 |
| the fox |
3 |
| and seven |
3 |
| have any |
3 |
| of those |
3 |
| the café |
3 |
| the bat’leth |
3 |
| thomas and |
3 |
| as he’s |
3 |
| at gilles |
3 |
| he then |
3 |
| “i do |
3 |
| to help |
3 |
| going to |
3 |
| a huge |
3 |
| they won’t |
3 |
| she tells |
3 |
| donala pei” |
3 |
| is it |
3 |
| maximum warp |
3 |
| been a |
3 |
| nothing in |
3 |
| able to |
3 |
| my crew |
3 |
| what he |
3 |
| that he |
3 |
| bridge to |
3 |
| aboard the |
3 |
| no longer |
3 |
| to meet |
3 |
| have faith |
3 |
| the swordsman |
3 |
| and gives |
3 |
| i’ve seen |
3 |
| her hand |
3 |
| is a |
3 |
| has only |
3 |
| even the |
3 |
| of santomas |
3 |
| time to |
3 |
| i had |
3 |
| of them |
3 |
| his suit |
3 |
| not to |
3 |
| nothing else |
3 |
| with me |
3 |
| gilles and |
3 |
| to an |
3 |
| he demands |
3 |
| let me |
3 |
| she has |
3 |
| middle ages |
3 |
| a course |
3 |
| even though |
3 |
| demands to |
3 |
| need is |
3 |
| single combat |
3 |
| other than |
3 |
| we will |
3 |
| pei screams |
3 |
| gives janeway |
3 |
| found nothing |
3 |
| i want |
3 |
| what you |
3 |
| like you |
3 |
| that of |
3 |
| years beyond |
3 |
| your sword” |
3 |
| to fire |
3 |
| out of |
3 |
| i would |
3 |
| much as |
3 |
| moments later |
3 |
| a far |
3 |
| will never |
3 |
| “i know |
3 |
| could not |
2 |
| invisible q |
2 |
| touches a |
2 |
| your daughter |
2 |
| i asked |
2 |
| sacrifice for |
2 |
| a strange |
2 |
| i no |
2 |
| herself of |
2 |
| no idea |
2 |
| meet the |
2 |
| millions of |
2 |
| blade of |
2 |
| the vidians |
2 |
| thinks a |
2 |
| shields and |
2 |
| her the |
2 |
| beam weapon |
2 |
| for himself |
2 |
| all but |
2 |
| anyone in |
2 |
| a powerful |
2 |
| man named |
2 |
| all these |
2 |
| is still |
2 |
| she might |
2 |
| go with |
2 |
| calls to |
2 |
| the floor |
2 |
| from you |
2 |
| enough for |
2 |
| the single |
2 |
| chosen to |
2 |
| the opportunity |
2 |
| i remember |
2 |
| the phage |
2 |
| sharp look |
2 |
| next to |
2 |
| into the |
2 |
| one aboard |
2 |
| italy of |
2 |
| beautiful woman |
2 |
| how far |
2 |
| dilithium crystals |
2 |
| the barrage |
2 |
| side as |
2 |
| it’s only |
2 |
| until he |
2 |
| bridge of |
2 |
| first among |
2 |
| such a |
2 |
| my life |
2 |
| silk nightgown |
2 |
| young man |
2 |
| i’ve never |
2 |
| with thomas” |
2 |
| anyone else |
2 |
| janeway has |
2 |
| she’ll be |
2 |
| of francis |
2 |
| to free |
2 |
| past the |
2 |
| he will |
2 |
| among equals” |
2 |
| lake i |
2 |
| on any |
2 |
| it matter |
2 |
| half an |
2 |
| life and |
2 |
| the order |
2 |
| others have |
2 |
| to use |
2 |
| san francisco |
2 |
| norman knight |
2 |
| as much |
2 |
| if they |
2 |
| did not |
2 |
| janeway that |
2 |
| else have |
2 |
| have done |
2 |
| garbed in |
2 |
| we have” |
2 |
| there are |
2 |
| than an |
2 |
| to face |
2 |
| had been |
2 |
| says finally |
2 |
| i can’t |
2 |
| that she’s |
2 |
| himself and |
2 |
| fox to |
2 |
| first time |
2 |
| his throat |
2 |
| to understand |
2 |
| make the |
2 |
| the ancient |
2 |
| travel so |
2 |
| fires his |
2 |
| to stay |
2 |
| set a |
2 |
| these people |
2 |
| a vast |
2 |
| his helmet |
2 |
| with their |
2 |
| and one |
2 |
| and agile |
2 |
| you hate |
2 |
| at her |
2 |
| his mount |
2 |
| weapon again |
2 |
| out a |
2 |
| anything to |
2 |
| never abandoned |
2 |
| only when |
2 |
| the still |
2 |
| a good |
2 |
| fires into |
2 |
| strange woman |
2 |
| doctor calls |
2 |
| “i must |
2 |
| others on |
2 |
| diamond white |
2 |
| at its |
2 |
| the stars |
2 |
| as gilles |
2 |
| the cassock |
2 |
| man in |
2 |
| sword and |
2 |
| know the |
2 |
| not leave |
2 |
| doesn’t hesitate |
2 |
| it would |
2 |
| did you |
2 |
| the hilt |
2 |
| ships of |
2 |
| a sentence |
2 |
| in sickbay |
2 |
| sensor found |
2 |
| space suited |
2 |
| “there are |
2 |
| meet again” |
2 |
| told you |
2 |
| about this |
2 |
| orders his |
2 |
| one against |
2 |
| most of |
2 |
| best warrior |
2 |
| far away” |
2 |
| i’ll ever |
2 |
| before the |
2 |
| three miracles |
2 |
| gave her |
2 |
| he sees |
2 |
| be shown |
2 |
| not doubt |
2 |
| held his |
2 |
| of weapons |
2 |
| “after i’ve |
2 |
| that i’ve |
2 |
| i knew |
2 |
| dressed in |
2 |
| this café |
2 |
| disarm the |
2 |
| how to |
2 |
| condition is |
2 |
| you world |
2 |
| his hands |
2 |
| pei is |
2 |
| edge of |
2 |
| doctor says |
2 |
| at maximum |
2 |
| “i’ve been |
2 |
| a console |
2 |
| unless she |
2 |
| janeway demands |
2 |
| takes her |
2 |
| aboard this |
2 |
| his hand |
2 |
| course for |
2 |
| i saw |
2 |
| are one |
2 |
| and as |
2 |
| master level |
2 |
| a sharp |
2 |
| to master |
2 |
| see the |
2 |
| right hand |
2 |
| viddian soldiers |
2 |
| his massive |
2 |
| 25th century |
2 |
| on his |
2 |
| in all |
2 |
| order to |
2 |
| seem to |
2 |
| “the viddians |
2 |
| you need |
2 |
| she never |
2 |
| the strange |
2 |
| and they |
2 |
| we have |
2 |
| a gash |
2 |
| “i am |
2 |
| that it |
2 |
| moment later |
2 |
| older man |
2 |
| about harry |
2 |
| head and |
2 |
| to go |
2 |
| me help |
2 |
| confesses to |
2 |
| but he |
2 |
| “i shall |
2 |
| leads gilles |
2 |
| a place |
2 |
| café has |
2 |
| you certain |
2 |
| in distress |
2 |
| stands and |
2 |
| and she |
2 |
| such as |
2 |
| very little |
2 |
| in your |
2 |
| alone and |
2 |
| the rest |
2 |
| further from |
2 |
| many times” |
2 |
| locked in |
2 |
| the quest |
2 |
| any thoughts |
2 |
| her name |
2 |
| to each |
2 |
| without comment |
2 |
| wonders if |
2 |
| to tom |
2 |
| turns away |
2 |
| the mongol |
2 |
| the boy |
2 |
| the chariot |
2 |
| let them |
2 |
| keeps the |
2 |
| based on |
2 |
| armor and |
2 |
| and for |
2 |
| to our |
2 |
| same time |
2 |
| people to |
2 |
| and we |
2 |
| pei gives |
2 |
| gilles says |
2 |
| have never |
2 |
| “one hundred |
2 |
| the viddian’s |
2 |
| arrows struck |
2 |
| then he |
2 |
| the asteroid |
2 |
| she sees |
2 |
| as i |
2 |
| more than |
2 |
| seven to |
2 |
| to dismiss |
2 |
| his powerful |
2 |
| spurred his |
2 |
| might have |
2 |
| in my |
2 |
| his face |
2 |
| to become |
2 |
| with every |
2 |
| of us |
2 |
| the galaxy |
2 |
| a sword |
2 |
| light that |
2 |
| even one |
2 |
| calls the |
2 |
| it’s been |
2 |
| gilles stands |
2 |
| of that” |
2 |
| janeway looks |
2 |
| only the |
2 |
| we send |
2 |
| “i will |
2 |
| gille’s blade |
2 |
| she’s seen |
2 |
| will die |
2 |
| “i can’t |
2 |
| curious to |
2 |
| is donala |
2 |
| asteroid belt |
2 |
| sentence of |
2 |
| the others |
2 |
| all becomes |
2 |
| janeway of |
2 |
| has an |
2 |
| the matter |
2 |
| that they |
2 |
| but i |
2 |
| half as |
2 |
| would she |
2 |
| think i’m |
2 |
| self-destruct sequence |
2 |
| it must |
2 |
| combat site |
2 |
| “i think |
2 |
| janeway decides |
2 |
| smiles and |
2 |
| q continuum |
2 |
| they close |
2 |
| opponent with |
2 |
| as janeway |
2 |
| much faster |
2 |
| but it’s |
2 |
| imagines all |
2 |
| all this |
2 |
| decides to |
2 |
| he tells |
2 |
| appears in |
2 |
| sir gilles’ |
2 |
| who’s dressed |
2 |
| done many |
2 |
| no matter |
2 |
| and why |
2 |
| be able |
2 |
| on my |
2 |
| at him |
2 |
| for her |
2 |
| “what i |
2 |
| her hands |
2 |
| it’s time |
2 |
| corner of |
2 |
| never will |
2 |
| onto the |
2 |
| a long |
2 |
| a woman |
2 |
| tell him |
2 |
| return to |
2 |
| a matter |
2 |
| uses the |
2 |
| would call |
2 |
| now offers |
2 |
| him a |
2 |
| me a |
2 |
| changed the |
2 |
| know if |
2 |
| and have |
2 |
| upon the |
2 |
| you on |
2 |
| to live |
2 |
| don’t touch |
2 |
| a more |
2 |
| you come |
2 |
| drawing his |
2 |
| because of |
2 |
| you brought |
2 |
| man who’s |
2 |
| and every |
2 |
| about to |
2 |
| little to |
2 |
| alert is |
2 |
| what she’s |
2 |
| a land |
2 |
| of their |
2 |
| becomes one |
2 |
| to donala |
2 |
| the time |
2 |
| paris to |
2 |
| struck gilles |
2 |
| the viddean |
2 |
| even with |
2 |
| the warrior |
2 |
| have your |
2 |
| parts are |
2 |
| janeway protests |
2 |
| janeway suddenly |
2 |
| need some |
2 |
| never before |
2 |
| pei’s word |
2 |
| and never |
2 |
| “i knew |
2 |
| for thomas |
2 |
| the process |
2 |
| of gilles’ |
2 |
| i left |
2 |
| the dilithium |
2 |
| does it |
2 |
| voyager’s crew |
2 |
| time and |
2 |
| a hundred |
2 |
| fewer and |
2 |
| ship’s champion |
2 |
| place to |
2 |
| he whispers |
2 |
| down his |
2 |
| crew as |
2 |
| to my |
2 |
| am i |
2 |
| hours in |
2 |
| “if you |
2 |
| pei looks |
2 |
| i must |
2 |
| to run |
2 |
| i need |
2 |
| are you” |
2 |
| last of |
2 |
| “it would |
2 |
| to me” |
2 |
| dreamed of |
2 |
| who i |
2 |
| thomas has |
2 |
| with you” |
2 |
| ever more |
2 |
| to demonstrate |
2 |
| far corner |
2 |
| shield and |
2 |
| her security |
2 |
| not of |
2 |
| to accompany |
2 |
| tells her |
2 |
| a most |
2 |
| they walk |
2 |
| could she |
2 |
| she will |
2 |
| the ground |
2 |
| a broad |
2 |
| katheryn janeway |
2 |
| viddean woman |
2 |
| need me |
2 |
| the bridge” |
2 |
| for me” |
2 |
| think i |
2 |
| “have you |
2 |
| as one |
2 |
| know where |
2 |
| i travel |
2 |
| follows the |
2 |
| i can |
2 |
| the young |
2 |
| b’lanna torres |
2 |
| opportunity to |
2 |
| remains silent |
2 |
| tell us” |
2 |
| offers his |
2 |
| him in |
2 |
| on a |
2 |
| what i’ve |
2 |
| than enough |
2 |
| she’s not |
2 |
| them in |
2 |
| janeway stares |
2 |
| one or |
2 |
| you find |
2 |
| him by |
2 |
| wondrous blade |
2 |
| of light |
2 |
| were the |
2 |
| weapon she |
2 |
| and its |
2 |
| ms pei’s |
2 |
| cries the |
2 |
| sword to |
2 |
| after a |
2 |
| cheering up” |
2 |
| draw his |
2 |
| i did |
2 |
| you a |
2 |
| cargo hold |
2 |
| “its weight |
2 |
| whispers in |
2 |
| instead of |
2 |
| if we |
2 |
| all against |
2 |
| his time |
2 |
| before gilles |
2 |
| only in |
2 |
| that it’s |
2 |
| viddian flagship |
2 |
| tells him |
2 |
| even be |
2 |
| me to |
2 |
| a great |
2 |
| seven says |
2 |
| that i’ll |
2 |
| heard about |
2 |
| ship’s deck |
2 |
| who’s been |
2 |
| it has |
2 |
| good time |
2 |
| i might |
2 |
| janeway doesn’t |
2 |
| very long |
2 |
| do for |
2 |
| the most |
2 |
| heavy sigh |
2 |
| mount and |
2 |
| be one |
2 |
| still invisible |
2 |
| to continue |
2 |
| in seconds |
2 |
| this donala |
2 |
| do i |
2 |
| the meantime |
2 |
| its scabbard |
2 |
| of others |
2 |
| peers at |
2 |
| all that |
2 |
| but as |
2 |
| gilles never |
2 |
| and thomas |
2 |
| species 2904 |
2 |
| if she |
2 |
| returns his |
2 |
| janeway thinks |
2 |
| the q |
2 |
| a 13th |
2 |
| and weapons |
2 |
| it was |
2 |
| around her |
2 |
| blade for |
2 |
| it’s--- it’s--- |
2 |
| long way |
2 |
| as his |
2 |
| hilt of |
2 |
| heard of |
2 |
| i’ve been |
2 |
| clears his |
2 |
| the cosmos |
2 |
| looks to |
2 |
| her lovely |
2 |
| to die |
2 |
| says as |
2 |
| only then |
2 |
| deck where |
2 |
| where they |
2 |
| “it is |
2 |
| to them |
2 |
| “how long |
2 |
| the scene |
2 |
| the hive |
2 |
| left assisi |
2 |
| in need |
2 |
| seven changed |
2 |
| the game |
2 |
| have hope |
2 |
| her stolen |
2 |
| “what do |
2 |
| that had |
2 |
| but nothing |
2 |
| gazes at |
2 |
| hand and |
2 |
| we need |
2 |
| opens a |
2 |
|
| Most frequent three-word phrases, including stop words: |
| again and again |
8 |
| francis and clare |
6 |
| the holo deck |
6 |
| at the same |
6 |
| of the lake |
5 |
| the viddian fleet |
5 |
| for his part |
4 |
| it’s as if |
4 |
| of the voyager’s |
4 |
| one of the |
4 |
| appears to be |
4 |
| of the viddian |
4 |
| the voyager’s bridge |
4 |
| seven of nine |
4 |
| a thousand years |
4 |
| i have no |
4 |
| for you to |
4 |
| on the bridge |
4 |
| the bridge to |
3 |
| on the voyager’s |
3 |
| aboard the voyager |
3 |
| one becomes all |
3 |
| “i do not |
3 |
| nothing in the |
3 |
| to the bridge |
3 |
| the thirteenth century |
3 |
| the same moment |
3 |
| the templar knight |
3 |
| seven and tuvok |
3 |
| nothing else happens |
3 |
| his men to |
3 |
| you want to |
3 |
|