| Number of paragraphs: |
12 |
| Average number of sentences per paragraph:: |
14.83 |
| Longest Sentence: |
'the black suv seemed at first to sway sideways while still coming towards him, but then in a squealing of tires on pavement, the vehicle flipped onto its driver’s side and skidded across the pavement leaving sparks in its wake, and then stopped with all' (49 words) |
| Shortest Sentence: |
'go now!”' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
8.38 |
Readability according to Automated Readability Index (the higher, the harder to read): |
0.63 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
2.05 |
Average readability (the higher, the harder to read): |
3.69 |
| Ten most frequent two-word phrases: |
| without warning |
4 |
| shepherd saw |
4 |
| shepherd looked |
4 |
| shepherd heard |
3 |
| ryker institute |
3 |
| blue eyes |
3 |
| rising moon |
3 |
| sun sets |
2 |
| felt drawn |
2 |
| brightest setting |
2 |
|
| Ten most frequent three-word phrases: |
| faded blue eyes |
2 |
| something went wrong |
2 |
| shepherd felt drawn |
2 |
| wrong didn’t it” |
1 |
| subject number two |
1 |
| valid…the questioner asks |
1 |
| “i’m sorry miss |
1 |
| dimly lit hallway |
1 |
| pull switch four |
1 |
| pavement leaving sparks |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| in the |
17 |
| of the |
16 |
| at the |
14 |
| he had |
13 |
| on the |
12 |
| to the |
12 |
| the stranger |
12 |
| by the |
11 |
| the sun |
8 |
| see the |
7 |
|
| Ten most frequent three-word phrases, including stop words: |
| by the setting |
6 |
| work by the |
6 |
| shepherd could see |
5 |
| by the rising |
4 |
| round and round |
4 |
| the round and |
4 |
| do your work |
4 |
| some sort of |
3 |
| the setting of |
3 |
| opened his eyes |
3 |
|
| Most frequent two-word phrases: |
| shepherd saw |
4 |
| without warning |
4 |
| shepherd looked |
4 |
| shepherd heard |
3 |
| ryker institute |
3 |
| rising moon |
3 |
| blue eyes |
3 |
| number two |
2 |
| shepherd jones |
2 |
| without thinking |
2 |
| shepherd felt |
2 |
| arrived back |
2 |
| full knowledge |
2 |
| “you see |
2 |
| lab coat |
2 |
| subject two |
2 |
| faded blue |
2 |
| shepherd knew |
2 |
| damp pavement |
2 |
| setting sun |
2 |
| felt drawn |
2 |
| brightest setting |
2 |
| subject number |
2 |
| words spoken |
2 |
| shepherd asked |
2 |
| sun setting |
2 |
| went wrong |
2 |
| sun sets |
2 |
| second floor |
2 |
| feet away |
2 |
| something went |
2 |
|
| Most frequent three-word phrases: |
| something went wrong |
2 |
| faded blue eyes |
2 |
| shepherd felt drawn |
2 |
|
| Most frequent five-word phrases: |
| by the setting of the |
3 |
| the round and round of |
2 |
| do your work by the |
2 |
| the round and round that |
2 |
| round and round that is |
2 |
| round of all that is |
2 |
| you do your work by |
2 |
| in the round and round |
2 |
| and round of all that |
2 |
| see the round and round |
2 |
| my work by the rising |
2 |
| your work by the setting |
2 |
| shepherd felt drawn to the |
2 |
| round and round of all |
2 |
| shepherd looked over at the |
2 |
| work by the rising moon |
2 |
|
| Most frequent two-word phrases, including stop words: |
| in the |
17 |
| of the |
16 |
| at the |
14 |
| he had |
13 |
| the stranger |
12 |
| on the |
12 |
| to the |
12 |
| by the |
11 |
| the sun |
8 |
| see the |
7 |
| to be |
7 |
| in a |
7 |
| saw the |
7 |
| the setting |
6 |
| work by |
6 |
| and then |
6 |
| shepherd could |
6 |
| he was |
6 |
| and without |
6 |
| sort of |
6 |
| as he |
6 |
| had to |
6 |
| from the |
5 |
| of all |
5 |
| his eyes |
5 |
| as you |
5 |
| your work |
5 |
| as the |
5 |
| the street |
5 |
| have been |
5 |
| the truth |
5 |
| seemed to |
5 |
| could see |
5 |
| the same |
5 |
| the man |
5 |
| had been |
4 |
| the round |
4 |
| shepherd saw |
4 |
| round and |
4 |
| without warning |
4 |
| the moon |
4 |
| at shepherd |
4 |
| looking up |
4 |
| the rising |
4 |
| shepherd looked |
4 |
| in an |
4 |
| that is |
4 |
| he saw |
4 |
| opened his |
4 |
| he looked |
4 |
| and round |
4 |
| do your |
4 |
| the road |
4 |
| that he |
4 |
| back to |
4 |
| up at |
3 |
| you see |
3 |
| it seemed |
3 |
| shepherd heard |
3 |
| the list |
3 |
| setting of |
3 |
| to do |
3 |
| a man |
3 |
| the hood |
3 |
| of this |
3 |
| for a |
3 |
| down at |
3 |
| ryker institute |
3 |
| do you |
3 |
| there was |
3 |
| to find |
3 |
| a while |
3 |
| it had |
3 |
| to shepherd |
3 |
| blue eyes |
3 |
| some sort |
3 |
| then shepherd |
3 |
| trying to |
3 |
| could have |
3 |
| i have |
3 |
| you do |
3 |
| you of |
3 |
| knew he |
3 |
| stranger was |
3 |
| as if |
3 |
| and the |
3 |
| rising moon |
3 |
| in his |
3 |
| that the |
3 |
| the suv |
3 |
| could not |
2 |
| within and |
2 |
| knew what |
2 |
| the second |
2 |
| the hill |
2 |
| and space |
2 |
| with a |
2 |
| the table |
2 |
| the wind |
2 |
| standing in |
2 |
| in front |
2 |
| i see |
2 |
| but then |
2 |
| once more |
2 |
| of his |
2 |
| on his |
2 |
| should be |
2 |
| were and |
2 |
| he knew |
2 |
| setting sun |
2 |
| done by |
2 |
| is a |
2 |
| over at |
2 |
| is all |
2 |
| the subject |
2 |
| was gone |
2 |
| to his |
2 |
| my work |
2 |
| form of |
2 |
| of an |
2 |
| as it |
2 |
| the young |
2 |
| here and |
2 |
| faded blue |
2 |
| went wrong |
2 |
| to us |
2 |
| was pressed |
2 |
| over the |
2 |
| to happen |
2 |
| all that |
2 |
| not the |
2 |
| sun setting |
2 |
| “what is |
2 |
| something went |
2 |
| the car |
2 |
| but with |
2 |
| would be |
2 |
| and opened |
2 |
| the faded |
2 |
| round of |
2 |
| allowed himself |
2 |
| an instant |
2 |
| had no |
2 |
| without thinking |
2 |
| full knowledge |
2 |
| any of |
2 |
| felt drawn |
2 |
| his work |
2 |
| they have |
2 |
| words spoken |
2 |
| his hands |
2 |
| time and |
2 |
| drawn to |
2 |
| damp pavement |
2 |
| i did |
2 |
| from within |
2 |
| this place |
2 |
| standing up |
2 |
| had seen |
2 |
| to a |
2 |
| knowledge of |
2 |
| over to |
2 |
| across the |
2 |
| the original |
2 |
| pointing to |
2 |
| subject two |
2 |
| there at |
2 |
| what exactly |
2 |
| you will |
2 |
| and shepherd |
2 |
| the pavement |
2 |
| have seen |
2 |
| the brightest |
2 |
| no doubt |
2 |
| at all |
2 |
| time to |
2 |
| second floor |
2 |
| there is |
2 |
| then in |
2 |
| if he |
2 |
| the explosion |
2 |
| for now |
2 |
| these words |
2 |
| that which |
2 |
| been given |
2 |
| over his |
2 |
| the other |
2 |
| “you see |
2 |
| why must |
2 |
| lab coat |
2 |
| of him |
2 |
| with the |
2 |
| to call |
2 |
| the end |
2 |
| of a |
2 |
| seen in |
2 |
| the scream |
2 |
| had a |
2 |
| brightest setting |
2 |
| an explosion |
2 |
| subject number |
2 |
| he said |
2 |
| the west |
2 |
| in those |
2 |
| is done |
2 |
| into the |
2 |
| sun sets |
2 |
| some form |
2 |
| staring at |
2 |
| to have |
2 |
| composed of |
2 |
| feet away |
2 |
| must i |
2 |
| duplicate of |
2 |
| you talk |
2 |
| was no |
2 |
| it was |
2 |
| for the |
2 |
| just as |
2 |
| number two |
2 |
| himself to |
2 |
| something was |
2 |
| arrived back |
2 |
| of what |
2 |
| did the |
2 |
| no longer |
2 |
| have done |
2 |
| we had |
2 |
| after the |
2 |
| shepherd felt |
2 |
| to me |
2 |
| shepherd knew |
2 |
| shepherd jones |
2 |
| the beginning |
2 |
| what he |
2 |
| closed his |
2 |
| he seemed |
2 |
| on in |
2 |
| looked over |
2 |
| same time |
2 |
| his face |
2 |
| the horizon |
2 |
| he opened |
2 |
| round that |
2 |
| you can |
2 |
| shepherd asked |
2 |
| the woman |
2 |
| meaning to |
2 |
| understand what |
2 |
| was in |
2 |
| yet he |
2 |
| as shepherd |
2 |
| heard the |
2 |
| as they |
2 |
| the nearest |
2 |
| was now |
2 |
|
| Most frequent three-word phrases, including stop words: |
| by the setting |
6 |
| work by the |
6 |
| shepherd could see |
5 |
| the round and |
4 |
| by the rising |
4 |
| round and round |
4 |
| do your work |
4 |
| the stranger was |
3 |
| up at the |
3 |
| the setting of |
3 |
| he saw the |
3 |
| setting of the |
3 |
| as he looked |
3 |
| some sort of |
3 |
| the rising moon |
3 |
| you of all |
3 |
| down at the |
3 |
| opened his eyes |
3 |
| had to be |
2 |
| as you can |
2 |
| it seemed to |
2 |
| he had seen |
2 |
| the same time |
2 |
| “what is a |
2 |
| your work by |
2 |
| could have been |
2 |
| of all that |
2 |
| is done by |
2 |
| round that is |
2 |
| something went wrong |
2 |
| round of all |
2 |
| all that is |
2 |
| looking up at |
2 |
| that he had |
2 |
| then in a |
2 |
| they have seen |
2 |
| in the round |
2 |
| some form of |
2 |
| drawn to the |
2 |
| shepherd heard the |
2 |
| the brightest setting |
2 |
| and without thinking |
2 |
| could see the |
2 |
| he opened his |
2 |
| done by the |
2 |
| he had to |
2 |
| the sun setting |
2 |
| at the same |
2 |
| shepherd looked over |
2 |
| felt drawn to |
2 |
| and round that |
2 |
| closed his eyes |
2 |
| his work by |
2 |
| seemed to be |
2 |
| faded blue eyes |
2 |
| knew what he |
2 |
| looked over at |
2 |
| he seemed to |
2 |
| and opened his |
2 |
| had seen in |
2 |
| over the horizon |
2 |
| shepherd saw the |
2 |
| over at the |
2 |
| in an instant |
2 |
| allowed himself to |
2 |
| you see the |
2 |
| see the round |
2 |
| my work by |
2 |
| the second floor |
2 |
| back to us |
2 |
| and round of |
2 |
| you do your |
2 |
| staring at shepherd |
2 |
| for a while |
2 |
| do you talk |
2 |
| time and space |
2 |
| the sun sets |
2 |
| within and without |
2 |
| to the nearest |
2 |
| there at the |
2 |
| why must i |
2 |
| on the street |
2 |
| shepherd felt drawn |
2 |
|
| Most frequent four-word phrases, including stop words: |
| the round and round |
4 |
| work by the rising |
3 |
| by the rising moon |
3 |
| the setting of the |
3 |
| by the setting of |
3 |
| round and round of |
2 |
| he had seen in |
2 |
| at the same time |
2 |
| work by the setting |
2 |
| and round that is |
2 |
| looked over at the |
2 |
| looking up at the |
2 |
| he opened his eyes |
2 |
| shepherd looked over at |
2 |
| felt drawn to the |
2 |
| round and round that |
2 |
| is done by the |
2 |
| do your work by |
2 |
| and round of all |
2 |
| you do your work |
2 |
| your work by the |
2 |
| his work by the |
2 |
| see the round and |
2 |
| round of all that |
2 |
| shepherd could see the |
2 |
| shepherd felt drawn to |
2 |
| of all that is |
2 |
| in the round and |
2 |
| my work by the |
2 |
|