| Number of paragraphs: |
1 |
| Average number of sentences per paragraph:: |
185.0 |
| Longest Sentence: |
'it showed in her walk, in the way she moved with a strong sense of fear through the city as though she were remembering all the terrible things her mother told her would befall a farm girl in the big city.' (41 words) |
| Shortest Sentence: |
'to end.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
7.85 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-0.38 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
1.34 |
Average readability (the higher, the harder to read): |
2.94 |
| Ten most frequent two-word phrases: |
| two vials |
3 |
| flickering light |
2 |
| large enough |
2 |
| blood flowing |
2 |
| feet away |
2 |
| beautiful man |
2 |
| jenzee awoke |
1 |
| dwarven kings |
1 |
| get around |
1 |
| shall cure |
1 |
|
| Ten most frequent three-word phrases: |
| naïve belief system |
1 |
| light without revealing |
1 |
| tube far back |
1 |
| king thalmet must |
1 |
| get around without |
1 |
| can’t see what’s |
1 |
| barely seven feet |
1 |
| plain though certainly |
1 |
| small lantern kept |
1 |
| blood flowing freely |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| of the |
21 |
| to the |
13 |
| in the |
11 |
| into the |
10 |
| from the |
9 |
| on the |
8 |
| he had |
8 |
| the balcony |
8 |
| to his |
7 |
| with a |
7 |
|
| Ten most frequent three-word phrases, including stop words: |
| of the balcony |
6 |
| want to know |
3 |
| “what do you |
3 |
| she should have |
3 |
| do you fear” |
3 |
| in the night |
2 |
| to know what |
2 |
| the blood flowing |
2 |
| half a century |
2 |
| out into the |
2 |
|
| Most frequent two-word phrases: |
| two vials |
3 |
| flickering light |
2 |
| large enough |
2 |
| blood flowing |
2 |
| feet away |
2 |
| beautiful man |
2 |
|
| Most frequent five-word phrases: |
|
| Most frequent two-word phrases, including stop words: |
| of the |
21 |
| to the |
13 |
| in the |
11 |
| into the |
10 |
| from the |
9 |
| on the |
8 |
| he had |
8 |
| the balcony |
8 |
| to his |
7 |
| with a |
7 |
| at the |
6 |
| over the |
6 |
| but he |
6 |
| the lip |
6 |
| and he |
5 |
| his eyes |
5 |
| he could |
5 |
| the girl |
5 |
| to be |
5 |
| in a |
5 |
| he was |
5 |
| would have |
5 |
| her eyes |
5 |
| by the |
4 |
| on her |
4 |
| should have |
4 |
| the tube |
4 |
| of his |
4 |
| a small |
4 |
| the doors |
4 |
| do you |
4 |
| the first |
4 |
| it was |
4 |
| from his |
4 |
| his kit |
4 |
| it to |
4 |
| her head |
4 |
| the second |
3 |
| the bar |
3 |
| to know |
3 |
| the room |
3 |
| over her |
3 |
| the edge |
3 |
| his hands |
3 |
| she should |
3 |
| the wall |
3 |
| against the |
3 |
| want to |
3 |
| and set |
3 |
| the stone |
3 |
| two vials |
3 |
| “what do |
3 |
| the city |
3 |
| and a |
3 |
| to find |
3 |
| light and |
3 |
| as she |
3 |
| over his |
3 |
| the blood |
3 |
| the other |
3 |
| to her |
3 |
| was a |
3 |
| you fear” |
3 |
| for the |
3 |
| had been |
3 |
| the ball |
3 |
| all the |
3 |
| vials and |
3 |
| the dark |
3 |
| out into |
3 |
| in his |
3 |
| as though |
3 |
| she would |
3 |
| as he |
3 |
| had to |
3 |
| the way |
2 |
| eyes were |
2 |
| lip and |
2 |
| it would |
2 |
| to rest |
2 |
| the floor |
2 |
| weapons and |
2 |
| his legs |
2 |
| he asked |
2 |
| it had |
2 |
| enough to |
2 |
| she opened |
2 |
| of fear |
2 |
| large enough |
2 |
| his head |
2 |
| back into |
2 |
| his coif |
2 |
| but to |
2 |
| a time |
2 |
| opened her |
2 |
| all but |
2 |
| he walked |
2 |
| took the |
2 |
| he thought |
2 |
| just such |
2 |
| vial and |
2 |
| beautiful man |
2 |
| with his |
2 |
| reached up |
2 |
| one of |
2 |
| the door |
2 |
| from her |
2 |
| had no |
2 |
| his mail |
2 |
| arkinal had |
2 |
| bottle and |
2 |
| entered the |
2 |
| were so |
2 |
| his hand |
2 |
| his breathing |
2 |
| onto the |
2 |
| the two |
2 |
| they were |
2 |
| he then |
2 |
| over half |
2 |
| flickering light |
2 |
| body into |
2 |
| had seen |
2 |
| between the |
2 |
| onto his |
2 |
| the ceiling |
2 |
| kit and |
2 |
| though she |
2 |
| his boots |
2 |
| and was |
2 |
| drinking in |
2 |
| out his |
2 |
| but none |
2 |
| way to |
2 |
| i want |
2 |
| a leg |
2 |
| the flickering |
2 |
| once more |
2 |
| her face |
2 |
| the night |
2 |
| down to |
2 |
| would pay |
2 |
| across the |
2 |
| of their |
2 |
| a century |
2 |
| down the |
2 |
| on his |
2 |
| into her |
2 |
| to get |
2 |
| and she |
2 |
| where he |
2 |
| seemed to |
2 |
| of a |
2 |
| could see |
2 |
| know what |
2 |
| there were |
2 |
| her steps |
2 |
| # the |
2 |
| behind him |
2 |
| starting to |
2 |
| was the |
2 |
| she was |
2 |
| where it |
2 |
| away from |
2 |
| just over |
2 |
| half a |
2 |
| funnel and |
2 |
| by his |
2 |
| she had |
2 |
| feet away |
2 |
| her fear |
2 |
| the keep |
2 |
| had ever |
2 |
| his death |
2 |
| the only |
2 |
| to form |
2 |
| all alike |
2 |
| leg up |
2 |
| you fear |
2 |
| the center |
2 |
| and the |
2 |
| lurking in |
2 |
| his belt |
2 |
| kept to |
2 |
| out a |
2 |
| out of |
2 |
| closed his |
2 |
| careful to |
2 |
| his face |
2 |
| and his |
2 |
| of light |
2 |
| have to |
2 |
| blood flowing |
2 |
| who had |
2 |
| was large |
2 |
| vials had |
2 |
| she felt |
2 |
| the funnel |
2 |
| he’d been |
2 |
| center of |
2 |
| more than |
2 |
| make out |
2 |
| and settled |
2 |
| poured the |
2 |
| about the |
2 |
| other side |
2 |
|
| Most frequent three-word phrases, including stop words: |
| of the balcony |
6 |
| want to know |
3 |
| she should have |
3 |
| “what do you |
3 |
| do you fear” |
3 |
| he had seen |
2 |
| it was a |
2 |
| in the night |
2 |
| would have to |
2 |
| lurking in the |
2 |
| two vials and |
2 |
| to his death |
2 |
| back into the |
2 |
| over half a |
2 |
| by the blood |
2 |
| the flickering light |
2 |
| i want to |
2 |
| in the dark |
2 |
| large enough to |
2 |
| the center of |
2 |
| she opened her |
2 |
| she would pay |
2 |
| kept to the |
2 |
| to know what |
2 |
| opened her eyes |
2 |
| his kit and |
2 |
| from his belt |
2 |
| the blood flowing |
2 |
| as though she |
2 |
| it had been |
2 |
| a leg up |
2 |
| the funnel and |
2 |
| body into the |
2 |
| was large enough |
2 |
| closed his eyes |
2 |
| half a century |
2 |
| into the funnel |
2 |
| between the doors |
2 |
| out into the |
2 |
| the lip and |
2 |
| the other side |
2 |
| over her head |
2 |
| of the bar |
2 |
| out of the |
2 |
|
| Most frequent four-word phrases, including stop words: |
| she opened her eyes |
2 |
| over half a century |
2 |
| was large enough to |
2 |
| want to know what |
2 |
| “what do you fear” |
2 |
| i want to know |
2 |
| into the funnel and |
2 |
|