Poetry / To The Figure In Front Of Me Vs. 2

You looked different
when I knew you.
Not so…
wax.
Like the face in the museum
third-grade field trip
when all the little girls giggled.

They did your hair wrong
and it´s irritating.
So’s this aching,
stabbing
in my gut.
I want to scream at someone.
You were always the nicer one.

They’ll ask: “How many siblings do you have?”
and I honestly won’t know.
Are you past tense?
A story
to be gossiped about?
Someone’s bragging rights for pain?
We’re all so possessive -

now.

I always followed – toe to heel
in your footsteps.
A shadow
fluttering along behind.
“Middle child” was never meant
to try to fill these shoes.
But I think I know what you would say –

it’s my turn to take the lead.

Some things still whisper in our ears
long after
they’ve bowed their leave.
You were cheated
from a full cup
of living.
But if you’d like,

I can try to do the job.

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djsquared avatar General Stranger

January 22, 2008

djsquared

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djsquared reviewed Version 9 - Read 100% of the Item

My stomach was churning as I read this.  Powerful.  I gathered that you were feeling too pliable and accomodating.  Some of your line breaks and grammatical license were disturbing, but comprehensible with some analysis.

anonymitysucks avatar General Stranger

January 03, 2008

anonymitysucks

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anonymitysucks reviewed Version 9 - Read 100% of the Item

about 8 lines into this poem i put my hand on my head in disbelief of how well this read for me. i know you don’t want a simple “good job” so can i yell “this is amazing!”? lines three and four really cemented the intro for me…informed me of how i should anticipate the flow and tone of this piece. it might just be personal preference but the structure and rhythm implemented here screams aesthetic.

the only thing i thought might need some after-thought was line ten – “So’s” reads oddly…made me back up for a second and kind of teased the flow. also, the sixth line from the bottom (didn’t feel like counting down) in which you use the word “bowed” – i think you could perhaps replace that with a more appropriate verb.

all in all, this poem was amazing. i really, really enjoyed it.

JTstories avatar General Stranger

January 03, 2008

JTstories

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JTstories reviewed Version 9 - Read 100% of the Item

I enjoyed it because it let my imagination go to work on it’s own with the subject matter. You didn’t just hammermeover the head with details and facts. At first I thought the story teller was speaking to a friend that had somehow become famous, and was being hared with the rest of the world. It wasn’t until the end when I realized the subject was deceased. I picked up a scent of jealousy at the beginning that fit in nicely with this mis-conception of mine, and it was a bit of a surprise when the end revealed the true nature of the poem.

The poem ends with a bit of hope, as the speaker proclaims that they will carry on, but I think it needs to be firmed up just a bit. It seems as if the narrarator is making the decision to ‘take the lead’ as you say, not because they think it is best for him/herself, but because they think it is what is expected of them. If this is your intent, you might want to add a few lines emphasizing this feeling. If this was not your intent, but instead you are trying to demonstrate the innate strength of the speaker, you might want to build on this a bit too.

Lin avatar General Friend

January 03, 2008

Lin

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Lin reviewed Version 9 - Read 100% of the Item

At the start I thought that ‘the person, ‘not so wax’ was someone that the poet had had a crush on as a child. Towards the end I was not so sure. Obviously the poet is conversing with someone from the past who may never get to read these musings.  I suggest, ‘so irritating. So’s this aching,’  & ‘it’s your turn to take the lead.’ Or even ‘That it’s my turn to take the lead.’

sassafrass avatar General Stranger

January 03, 2008

sassafrass

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sassafrass reviewed Version 9 - Read 100% of the Item

I find this piece heartbreakingly honest. Your pain is real and something that most of us have felt in some way at sometime. The pain of loss through death. It’s oh so…final. And then you never really know how you are supposed to feel, what’s ok. Like there’s some guidebook on proper ettiquette. While I’ve never lost a sibling, and I’m the oldest so I will never understand having to fill the shoes of a big brother or sister, your words put me there.

Avia_Thorne avatar General Stranger

January 03, 2008

Avia_Thorne

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Avia_Thorne reviewed Version 9 - Read 100% of the Item

i’ll be brief. i want you to know that i love this. i don’t quite understand why “now” is so isolated. ”...from a full cup…..of living” might also sound good as “a full cup…of life” but, obviously, this is a work just for you-don’t change anything if it’s not right. thank you for posting this.

ezmerkat avatar General Stranger

December 18, 2007

ezmerkat

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ezmerkat reviewed Version 7 - Read 100%% of the Item

Imagery in the first stanza really grabbed at me because it’s relatable. Everyone has heard those giggles.
I like the version of the third stanza that you put in the body of the text best out of the choices you offered.
This is a small thing, but in my humble opinion it might make it a little stronger. Take the and out of the following (They did your hair wrong/
and it’s irritating.) and make it into… They did your hair wrong./It’s irritating.

It didn’t ruin the whole poem for me but I was thrown a little out of the poem by the following lines, How can I be for him/what you were for me?
I didn’t know who “he” was and couldn’t tell what the speakers relationship was with “him”.

Those are just some small things. Overall it held my interest and I liked the exploration of how you feel when you lose someone and how you can’t help but talk to them still…even if it’s just in your mind.

deborah3756 avatar General Stranger

December 18, 2007

deborah3756

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deborah3756 reviewed Version 7 - Read 100%% of the Item

When reading the rhythm was a bit choppy.  I like the form of the piece I use this type of form in my poetry.  I always look for the metaphors to be more alive and moving.

Paul_Archer avatar General Stranger

December 16, 2007

Paul_Archer

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Paul_Archer reviewed Version 3 - Read 100%% of the Item

I think the beginning would be more powerful like this:

You looked different
when I knew you.
Not so…
wax.

They did your hair wrong
and it’s irritating.
So’s this aching,
stabbing
in my gut.

The lines I’ve deleted undermine the raw power of these lines. They are so good.

Stanza 3 starts to ‘drift around’ itself. Stanza 4 has conventional images of following someone’s footsteps, being a shadow… this has been said many times before. If the images were more fresh they would come over as more real and have more impact. In Stanza 5 the word ‘things’ is lazy, do you mean voices? The sister’s voice? The last line of the poem needs to come out of the previous lines more directly, a reshuffling of order of the lines may be called for so the last stanza after its first three lines reads something like:

You were cheated
from a full cup
of living.
But I know what you’d say –
It’s your turn now to take the lead.
I can try.

Maybe the poem can then go on to explore what taking the lead means. It may be difficult for someone unaccustomed to doing so. It’s suggested that there are younger siblings to be lead, how will they react? It may be that the way of performing the role may be different from how the elder sister would have done it. There may be guilt at supplanting the sister etc

I don’t know whether this comes out of a life experience or not, I can only critique it as a poem. As such it shows a lot of promise and very much worthwhile taking further.

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stardust06 avatar

stardust06

Age: 20
Loc: United States
Gen: F
Last Login: June 20
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