Read the readers notes.. and fuck rap, it sucks ass.. like they would ever rap about somthing so meaningful
Poetry / Condemnatory: Your Kingdom of Crow
Welcome to my mind,
The kingdom of crow,
There is nothing darker
Than what never shows,
So welcome,
To the legacy you’ll never know,
You found the hatred,
All you were looking for,
The shadows obtained
Yet you still want more,
Congratulations,
Now things are darker than before,
You’re detrimental,
The shadows bane,
Your judging eyes
Label the insane,
Instigation
You pave the streets with pain
You intransigent coward,
Constantly fixated on power,
I am crawling amongst your cost,
But every gain is just more to be lost,
You constantly flaunt your fake paradise,
But everyone knows the truth behind your lies,
Welcome to the crow,
The kingdom of mind,
Much lighter outside
Of your will to find
So welcome,
To the tales that lie behind,
Your search ends,
You’ve found hate,
Written upon the wall
Are four letters of fate,
Congratulations,
Your sympathy was much to late
The temperament,
Was the old mans cane,
Once pointed fingers
But now he’s insane,
Desecration
Destroyed his own honors name
Damned somberly to this conclusive cost,
Your every last reason has become lost,
Your massacre finished and subdued,
Held captive by the dark king druid,
Taken from your destructive muse,
You loose your pieces few by few,
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I didn’t base it on errors, but I liked it :D
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Liked the poem, but to be honest, the punctuation and attitude may ruin your chances at publication.
I’d rather you used NO punctuation rather than the continual improper use of commas. They make no sense other than to mark line breaks – and they don’t make sense there all the time either.
This may really work as rap-type music with the rhyme pattern and the driving rhythm that your short lines and hard emphasis seem to give it.
I did not ever find the point to your poem.
Your audience was unclear.
The poem “teller” contradicts itself:
Calling the reader to task for “labeling people – insane”
then later calling the old man insane itself.
Was I supposed to conclude that the “teller” is a hypocrite?
You definitely have the talent to craft strong phrases
conveying much emotion, angst and anger,
which were very tangible,
but to my mind, the wonderful words and images
wandered down too many different threads of thought.
Less aimless verbal wanderings would make this a strong work!!!
You might counter that this is your style.
Every author wants to make a point, though, right?
Maybe it was me
Maybe it was the work:
What is clear is that you have talent—
having full control of it is another thing.
and without a clear point, your talent flounders.
Hope to read you again.
I enjoyed the story that was told in this piece. It held my interest throughout. There were a few places where the formatting seemed a bit awkward, but it didn’t deter from the overall poem. I especially liked how the lines in stanza #2 got progressively longer. I found this pleasing to the eye, and stanza #4 almost reverses this trend by having each line get progressively shorter, save for the very last line. This added some visual interest to the piece. Otherwise, I enjoyed it as a whole. Nice work. :)
WHO AE YOU ADDRESSING IN THIS POEM?I COULD PUT A FEW TYPES OF PEOPLE FATHERS TEACHERS BOSSES,ETC,AND WHILE THE WORDS ARE STRONG AND DARK AND SEEM READ IT A FEW TIMES">CONVINCING A LOVED ONE PERHAPS OR A POLITICIAN?I THINK I WAS PRETTY GENEROUS IN RANKING YOU BUT I FAILED TO SEE THE TARGET OF YOUR ELOQUENT HOSTILITY!
Great words and I am not into poetry. I liked your introduction, welcome to my mind.
That is a great open for any writing. Keep up the good work and if you want to publish let me know.
There were a few rhymes that were a little unsophisticated, namely:
‘You pave the streets with pain.’
There’s nothing wrong with the line, but the monosyllabic words used seem a little harsh when next to lines like, ‘Instigation.’
Then again, maybe that was your aim.
I enjoyed it, especially because there wasn’t so much a set plot (by that I mean that it wasn’t forced down my throat, so to speak), and you left imagery (though all a little obvious) in abundance, which is no bad thing.
Promising.
You said to read without the intent to correct. I tried. I failed. There are a couple things you should remember: 1) I have never met a writer who did not care at all about spelling or grammar. I think if you actually spoke to a few of them you would find that they care very much about it. When you are writing, the way that words are formed on the papaer, and what those words are, are the most important thing. We as writers can not control what people feel when they read this without those words. So do them justice, spell them right. Also if you are reading another persons work, you will find that grammar is used properly UNLESS they intend the words to be wrong. Therefore having proper grammer is important…cause otherwise there is no way to see that improper grammer was intended. So spell-check and grammer-check your piece.
I would like to see this also written as a free-form poem (not sticking to the rhyme scheme) and have the two pieces side by side. I think you might find that there is a great deal more emotion in the free-form, which is not bound by the rules of the rhyming couplets.
Also keep a lookout and be rid of tired metaphors. The biggest one is darkness of the mind. It’s used so very often, especially by young teenage poets. Maybe try to word it differently so that it doesn’t say “mind” but eludes to it.
Other than that I think it’s decent. Needs some work, but decent.
Powerful, actually masterful. And regardless of your instructions.. the last line is the key and it must be spelled correctly to impact your readers, so please allow: loose should be lose. I don’t want to eat up your credits listing all the lines that I found exceptionally well written and gifted, but I will list at least two: You constantly flaunt your fake paradise,
But everyone knows the truth behind your lies.
spelling and grammar matter in poetry, sorry pal, that’s writing for you. a few of the rhymes you had were forced, never rhyme for the sake of rhyming, that form of writing attraction can no longer be used that way. it takes away from the meaning, and jumbles the order and message of the piece “your sympathy is much toO late” is the main example. other than that though, very well done.
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