Pyragus -
you read this to your english teacher? lol, very cool… Thank you muchly, I’m flattered. (> ’-’)>
When you turn my age
Over the expanse of fine maple dining table
With lace creeping down the sides, tickling thighs
In the heat of some summer month
Or in the winter trance of spinning snow
Will I clutch my china cup
Fist pressed against my trembling mouth
And tell you everything?
Honey, baby, darling, sweetie –
How would I begin?
When I was your age…
Things were sweet
Powdered sugar dusted Jersey streets
We’d meet on weekends – him and me
Love his scent, live in his sheets
For four years, baby
Things were sweet
We didn’t know how young and dumb
We didn’t know how we could be
You came to me like sudden breath
A pain deep in my belly, hungry
I cried and rustled, unsuspecting
Slept and spilled over, pent up, effervescent
Someone tell me, fix me, make me better
You were three weeks live and counting
Honey,
We had no idea.
We entertained and juggled thoughts
Maybe this or that, late nights, beg for raises
Go hungry, sell it, move away
Keep me from that cold steel table
Keep you from Impossible –
Eighteen years ago you were a question.
Or maybe I would lay in stupid trance
Tears rolling down hot red cheeks
As they took Possibility out of me
‘Cause Young and Dumb can’t be Dad and Mom
Maybe they laid me out in a paper dress
And let you melt like sugar on my tongue.
Me and my Maybe Baby
We’ll melt like a sugar dream.
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I think this is excellent. You do an excellent job of letting the imagery tell the story and persuade the tone of your story, especially in instances like this: “Over the expanse of fine maple dining table
With lace creeping down the sides, tickling thighs.” Or, “When I was your age…
Things were sweet
Powdered sugar dusted Jersey streets,” these are moments where the door to the meaning of your piece open to the reader, the reader can take part in your experience. If you are writing like this at age 19, I am excited to see what the next five years will bring. This is quite impressive.
My only suggestion or criticism is that maybe the melting like sugar is a teency bit overdone by mentioning it twice at the end in such close succession. But this could just be my morning coffee talking. Anyway, I love it. Great work. Thanks for posting—your writing voice shows a lot of insight. Good rhythym too.
The repetition of baby was distracting at first, until I realised it was an actual child. I love some of the wordings in this
“Eighteen years ago you were a question.” - powerful phrase.
Tears rolling down cheeks is a bit cliche. I think you could do that up a litlte better.
And hurray for Jersey streets ;)
OH YUM. This is absolutely delicious. I adore this poem. The image that you carry through the first few verses of the woman at the table is just wonderful.
“We didn’t know how young and dumb
We didn’t know how we could be” – that’s great. I expected you to state this tritely and you totally didn’t. Good job.
“‘Cause Young and Dumb can’t be Dad and Mom” = awesome line.
“Maybe they laid me out in a paper dress
And let you melt like sugar on my tongue.” = melt like sugar on my tongue is such an incredible line, such an image. i can taste it, feel it.
Great job
WOW this is a very very strong poem I love it. It just makes you want to clutch your heart and let out startled sighs. I read this to my English teacher and she just gasped, she loved it so much. Perfect way to make the flow, so sad and beautiful at the same time…amazing work, probably the best thing I have ever read from a teenager! (well sort of a teenager, I guess your considered an adult now, but I want to claim you for our generation lol) Simply brilliant. I can’t wait to read more!
~kar
Powerful poem! I especially like the lines, “Fist pressed against my trembling mouth,” and “Cause Young and Dumb can’t be Dad and Mom.” Great imagery/voice in those lines.
The stanza that begins, “You came to me,” however, doesn’t feel as eloquent as the rest of the poem. I know it’s meant to be harsher, a jolt into reality from her candy-coated fantasy, but your imagery in that stanza just doesn’t live up to the rest of the poem.
This is so eloquent, like viewing a scene through a fine laced silk curtain. I read through it several times and even I still feel there is more to learn if I were to come to it again later.
If I may add one small comment:
Do not use “Jersey streets�. I know what you mean to convey, being from that area of the country, but it regionalizes the poem. This poem belongs to the whole country. Use a more ubiquitous slimily.
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