Thank you for reading, Smintboyuk.
I do see your point.
However, if it were longer it would perhaps lose its enigmatic quality.
Thanks again, and glad you enjoyed.
Bibelot
Pillow Talk
Come to me love,
don’t seal my lips
with sharpest barbs,
and cutting quips.
But come to me
in softest word,
delicious sounds
I’ve never heard.
But if you were
to warm my blood,
awaken me,
release the flood,
yet stem the tide
of cruelty-
would I refrain
from subtlety?
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With this poem, I picture myself lying in bed thinking about love. Like how I want to be loved. I want to be loved with love not loved with hate. I am afraid to love because I am afraid to get hurt.
I don’t see anything really to critique. I think you did a beautiful job. Great work!
I like the 4-syllable lines which give it a succinctness, and a ‘punchiness’, if you will. I could easily see this being part of a longer poem, especially if written in 8 syllables per line. The rhymes and word choices are simple but well chosen and pleasant. The whole piece flows well finishing with a thought provoking reference to physical or emotional abuse, completing what began in the first few lines with ‘barbs’ and ‘quips’.
The icing on the cake for me is the use of ‘subtlety’ and the inevitable question; in what ways is this person normally subtle? Lastly, I like that this poem is not gender specific. 9.
I’m a big fan of love poems. Yours is not quite finished. It needs more of this:
But if you were
to warm my blood,
awaken me,
release the flood,
I want more from you. I want passion. I want raw emotion. I want you to work at it a little more.
So very close. Move me.
I love the picture this paints. It’s sad, dark and romantic. It’s very good.
My fave line is the first one. It reminds me of the song by Cat Power, Sea of Love, you should listen to it, if you haven’t already.
I like how this flows together- it could almost pass as being lyrical in the way it’s written. I don’t see anything that needs improvement really.
Well done
This was an interesting read but i can tell you just be reading it twice that your main problem is flow, and transition. It reads a little clunky from stanza to stanza and all the “est,” and “ing” sounds make the flow bog.
As far as specific advice this is what i can say, in the first stanza, third line change sharpest to sharp. It makes the word “sharper,” bad joke, but true. Also the “but” as a transitional word into the next stanza didn’t work for me. Normally it isn’t a good idea to start a stanza with but unless you created a very strong trans phrase in the first.
Either way thanks for the read.
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