Novel Treatments / Future Crime Chpt 1

There was no future in crime. Mac swung his bio-boots onto the desk, leant back in his chair and spilled scotchliq down the front of his finely cultured suit. “Aww Jees!" He stood up, more annoyed at his own attitudinal clumsiness than any concern for his suit, which would reject any matter it could not make use of as food. He watched the droplets freed from his crotch fall through space, bounce and remain beaded on the equally uninterested carpet.

A loud thump and a crumpling sound made him look out the open office doorway down the hall. A desk, gripped in the metal claws of an old removal bot, was coming toward him. At regular intervals, weaving like a drunk from side to side, it scraped along the walls, leaving long dark gouges wherever its huge metal body made contact. It stopped in front of him, juggled the table to a vertical position and began manoeuvring the legs around the corner of the hall leading to the lift bay. Behind the bot, he saw an operator holding a control unit.

“Aft’noon,” said the small, soft-faced man in the white baseball cap.

“Afternoon,” he replied automatically.

“You movin' out too?”

“Me?” Mac shook his head. “No, I'm staying.”

"Almost of them moved out now.” The removalist looked over his shoulder down the long empty hall as if to confirm his efforts. “See ya.” He pushed a button on the remote hand unit. The bot continued down the hall, scraping the walls, and Mac wondered, despite, or because, of the operator, who trailed behind it innocently like a baby elephant holding it’s imaginary mother's tail.

He turned about, hands in pockets, cast his eyes down the rows of cleared workstations, and kicked the air. Unlike the empty corridor of vacant offices his head was filled to overflowing, crowded with memories of the good old days: all jostling for position in his consciousness. Re-runs of my dynamic past, he laughed to himself. Old friends and comrades in scene after scene - brilliant, funny, awkward, stupid, brave, lucky - flashed across the screen of his mind like vision through the window of a runaway antigrav, speeding and spinning out of control, until it all became a blur.

Sitting down, he slid on his elbows across the desk and pressed the lip of the cool glass against his forehead. All his old mates were gone, and he missed them. Division by division, squad by squad, man by man, and now he was the last member of the Anti-theft Squad. Twenty years ago, three hundred men were employed, today, one.

The word they used to describe him was redundant. That his hard-won experience and abilities were worthless was the hardest thing to swallow. Over the centuries, as computerization and robotic production eliminated the need for a workforce, many others in all walks of life had complained, but eventually got used to redefining what they meant by work. His profession was no different, and as a policeman how could he disagree with measures that virtually eliminated crime.

Mac recalled in 2395, at a meeting of the World Council, Isaac Elphin put forward the Social Justice Mandates. The ideas contained in Elphin's submission were not new, especially to a student of history like himself. They were first tried a century or more before, in an atmosphere of global desperation, and they died, as all good ideas usually die; because no one really wanted to believe in them. In the flow of the fashion of ideas, they resurfaced in good old Isaac's brain, only this time, the desire and the means of making them happen was there. There was no alternative course for civilisation. There was a world-wide cognisance of pure necessity, where even the simplest and most rapacious, realised things could not go on indefinitely as they were. The Mandates took root and over the intervening years a series of legal and cultural imperatives slowly changed the face of society.

He took a large gulp of scotchliq, shivered as it ran down his gullet and stared across at a wall full of prints of old adversaries, who had long since gladly put down their bag of tools, and now glared back at him. The bald fact was: no more theft. The citizens had no reason to steal once all their material demands were satisfied.

At first he thought having everything handed to you on a plate might dampen any enthusiasm to actually work at anything, but the reverse occurred. By removing the burden of consumerism and maintenance of peer standards, only people with an ulterior motive beyond a pay packet worked. The reforms allowed the blossoming of numerous brilliant individuals previously obstructed by material considerations. Businessmen worked not for gain, but for the honour and satisfaction of achieving efficiency and increasing investment in research and development. It was built into the human to create and improve, and to challenge the unknown.

 In the last years there had been no serious theft; only misunderstandings of ownership, which usually ended up in court. Extortion, embezzlement and kidnapping disappeared. Homicide statistics dropped off the chart. The only crime maintaining a presence was rape. He’d always based his job security on faith that there would be stealing, nicking, lifting, and grand larceny - there had to be. He put it down to his accumulated knowledge of human nature. There was always someone wanting to take a shortcut, always some greedy little somebody waiting to snaffle the toys, always some lurking temptation in an egocentric breast. He felt a bit of a traitor to his fellow inhabitants, thinking that sooner or later one of them was going to slip up. Yet, year after year, as the report came in on the ‘Mandates` implementation, so far so good.

He took another sip of his drink and got terse with himself. So what are you going to do McFergus. You have been sitting on your fucking arse for more than twelve months doing fuck all. Stay here, the token copper, a reaction to something that does not exist anymore. Bloody useless!

A golden afternoon glow filled the windows and, eyes narrowing, he was beginning to drift off, when a tiny light implanted in the desktop sent a shaft of red tint upward through the dust motes. Incoming call. This is an occasion. He slipped down in the seat, and extending his toe, passed it through the beam. Out of the desk rose a holographic illumination of a miniaturised man in uniform. He recognised him immediately.

“Clancy. How ya going?” He hadn't seen the man in years, but there was no mistaking that well-worn face, the line of his jaw and his eyes surrounded by a pasty whiteness.

“Hi yer Maccer!” said Clancy jovially in a rolling accent, a remnant of the old west city from which he hailed. Everyone received the standard planetary electronic mind-induction learning when young, and a common language that allowed communication worldwide was an essential part of it. Clancy, like himself, and many others, searched their roots to add individual character to the language they spoke.

“How long since I saw you, you old bugger?"
 

Clancy took off his cap and rubbed his brow, “Bloody long time. Dunno musta been when we was on Licensing eh,” he gave a mischievous grin, “ha they were the good old days.”

“Yeah . . . what's with the uniform Clancy . . . security?”

"Yeah, could call it that, retired 'bout five years ago. Do a bit of tidying up as well, you know. This job I keep an eye on it. The Museum, that's where I am. Lucky to have a job, I mean the chances of someone robbin' the place, just a load of junk most of it, and nobody's interested in it, eh? Something to do, I'm sort of a guide if anyone drops in, caretaker like, and they let me restore some of the models they have downstairs when I feel like it. I like to do things with my hands. Anyway the reason I called, didn't know it'd be you, someone's broken into the place, so it just goes to show I don't know everything all right.”
“What was taken?”

“Just some ancient notes.”

“Notes?”

 “Yeah,” he said with some amusement, “money notes, like millions of dollars circa late twentieth century. Pretty messy. Broke two glass cases to get to them. But I don't see how they got in or out; the place is as tight as a drum. The exterior alarm wasn't triggered but the interior alarm was. All the windows locked. I don't know.”

“Are these notes worth anything do you think?”

“Well, they must be worth something I guess, to be in a museum. You couldn't spend 'em could yer? How would I know?” Clancy shrugged. “Professor Tino would be the man for questions like that. He's the Director of the Museum. I called him and he's on his way down.”

“Okay, tell him to stay there 'til I arrive.”

“Roger.”

Clancy’s frozen form broke down cell by cell as it sank into the desk; the human image slowly overcome by transparent snow. A museum break-in, an amount of worthless notes stolen for no obvious reason . . . a mystery. He rubbed his hands together and a smile spread across his face. A real honest-to-God crime – about time.

As the lift door opened on the 435th floor he looked out on a near cloudless day, at this altitude at least. Bending his right hand wrist back, a keypad flicked out and he pushed the summon button. In less than ten seconds, the sleek electric-gunmetal-blue antigrav slipped up beside him like a giant Persian slipper and opened a gull-wing door. On getting in, the pressure sensitive seat automatically closed the door and the dash displays lit up.

“Where to Mac?”

“The City Museum. Do you know where that is?”

“The old museum?”

“Yes.”

He waited patiently for an instant, unsure if it was going to ask another question. "Let’s go then," he suggested to the machine which at times drove him to distraction with the obscurity of verbal clues in its navigation system. Bellevue now had a better system. “To the museum.”

He joined one of the ropeways of thousands of vehicles straddling the sky like brightly coloured enamel beads all linked by magnetic fields following pre-programmed paths to their destinations. Free-graving was only permitted outside central metropolitan areas. Moving close to other vehicles from time to time he saw their occupants through the narrow slits of windows which had become the fashion of late, before they suddenly branched off or were replaced by others joining the rope core. Seconds later he was below the operating level of the antigrav towers, descending to the old city blocks which came up to greet him - dark, grey and covered in moss, perpetually windblown by a confusion of down draughts. Below the hundredth level he tried to remember the last time he had come down so far. The thought of actually landing on terra firma tickled him. The readout on the dash indicated stationary status and the `door active’ light came on. “You have arrived.”

He opened the door and stepped out, and knew immediately he was on solid earth by the natural unevenness he felt through the soles of his boots. The smell convinced him; a fecund emanation of warm, humid earth. Not of compost or rich loam, but the stale, slightly putrid air of old excavations trapped under a building. This was a dark shadowy world, the sky obscured by the vague outlines of criss-crossing ropeways and the low dirty cloud like a mother’s blanket shrouding the near ruin of the old land-bound city. Walking up a set of wide stone stairs he saw an ancient intercom next to two large doors. He pushed the button below the rusting metal grill.

“Hello, that you Mac?” A voice crackled.

“Sure is.”

“Good, I'll come down and get yer.”

Waiting in the gothic portico he ran his hand along the sandstone. Despite centuries of constant exposure to the elements, amongst the spalling, he felt evidence of the stonemason’s art in the skilful cut of the balustrade. Maintenance of physical heritage buildings was an unwanted burden these days, ever since the antigrav watershed. The door squeaked open and Clancy's head poked out into the darkness like a vampire from under a coffin lid. “In yer come.”

They shook hands walking to the elevator. “It’s on the fifth floor. Professor Tino is already here.”

Clancy lead him down well known aisles of darkness composed of odd and threatening shapes, through a sort of underworld of antiquities, until eventually after much meandering they came upon a lighted oasis. In the circle of several spotlights stood Professor Tino, a very small, swarthy man, who extended his hand.

“I'm pleased you came, Inspector, but I'm afraid I can't throw much light on this most amazing crime,” he said without apparent irony.

He stepped past the Professor and Clancy, and examined the two large glass cases. The closest; two to three metres square and a metre deep was near empty. A corner had been smashed off and glass covering the floor, crunched under his feet. Although notes remained in the case; they were all large denominations - the smaller value notes were missing. A piece of flat white material was lodged between the stacks of remaining notes and the glass. He pulled it out and turned it over. `A Ton of Money' it said.

“Could you tell me the relative value of the stolen items? Do you have any idea who might want to steal them?”

The Professor shrugged, his delicate shoulders almost meeting the black halo of his curly hair which spanned the lower portion of his smooth skull. “They have no monetary value. As historical items they have a value of course, to collectors. But not a lot. What you must understand is, they are not rare. When they ceased to be legal tender the world was drowning in dollars. Only to be followed by the megadollars."

“Paper dollars?” He had never actually seen one.

“Good lord no!” Tino threw his head back. “You’re talking ancient history. No, both were thin polymer, with a fine metal filament running through them. A security device against forgery.”

“That's another funny thing then, leaving the megadollars.” The professor pressed a finger to his forehead.

“Why would they take all the small notes and leave the big ones?” asked Clancy.

“I don't know?” answered Mac out of courtesy and smiled. He walked over to the smaller case near the wall, looked into it and then back at the Professor. “Megadollars?”

“Yes Inspector, as much a conundrum to me as it is to you. I mean, if it was a collector, why not steal the megadollars, they're collector items, probably more so as there are less of them.”

“Well,” he sighed, “we know they knew what they were after. The thieves have been very selective. But it doesn't tell us much.” He turned to Clancy. “What about entries and exits, alarms?”

“Like I said, only the alarm on the cases went off. All the doors and windows are locked. And we're on the fifth floor.”

“Can you show me?”

“Sure, come with me,” he said turning and beckoning with his arm before wandering off into the darkness.

Mac turned as he followed Clancy. “Thank you for your help Professor. If I need any more information I will contact you?”

Professor Tino appeared slightly disenchanted with the idea. “Certainly, Inspector. Feel free to call me.”

Half an hour later they were back in the circle of light and no better off clue-wise. After close examination and all tests for body residuals - nothing. There were two small locked windows at the back in a store room. The only other exit, apart from the elevator they came up in, was another elevator, which after it creaked and squealed its way to their level, opened to reveal a floor covered with a thick layer of undisturbed dust.

He examined the corner of the case, smashed, apparently by repeated blows. So crudely done, compared with the total absence of forcible break and enter to the building. An inside job would be a consideration, but that Tino or Clancy staged the crime was improbable. Both of them were too smart to steal something near worthless. The motive wasn’t monetary gain; in today’s society - an absurdity. In his mind’s eye he had a picture of a possible perpetrator, a crazy old man in a dressing gown, a fanatic coin and notes collector in his study, jealously gloating over his prizes as he mounted them in volumes.

Lifting his right arm toward his body, the fabric retreated revealing a sensor panel. He eye-triggered a number of the many coloured dots and activated a range of sensor and recording devices. Pointing his outstretched arm, he took virtual evidential snapshots to be analysed later. He was interested in the broken corner of the case and the character of the breaks because he wanted to know what sort of implement was used - obviously large and heavy. Smashed - when you could pick up a laser knife anywhere that would cut glass like cake.

“How many times have you walked across here?”

“Hmm, just the once, all three of us only the once, I mean close, within two metres,” considered Clancy rubbing his chin.

Mac looked at the sparkling floor and thought that just as the spray pattern of blood might assist the resolution of a murder, so might the spray of glass turn something up. He hunched down close to the wooden floor and saw the incisions made by the broken glass as the sole of his own foot had swerved over it creating groups of small circular marks. Standing up he looked to the far edge of the shimmering expanse of glass. It might be possible to pick up a pattern, identify an exit point; footprints across the glass. But he needed height for the shot. The ceiling was extremely high, but he noticed a narrow gallery hung with pictures.

“Can I get up there?”

“Sure, follow me.”

Near the lift well Clancy directed him to a door in a nook. Beyond the door a set of stairs led to a narrow corridor, running behind display windows on another level, which accessed the gallery. Observing the scene from above didn’t enlighten him. The light reflected by the broken glass blazed back. He pointed his arm downward, taking shots in automatic and several chosen sensor modes. He doubted anything meaningful would show up, just a lot of barely discernible scratches, unidentifiable as those caused by the feet of the thieves or their own.

Clancy met him at the doorway. The look on his face must have betrayed him.
“Pretty hopeless eh?”

“Yeah well, apart from finding out how, finding out why might just help. Give us a clue? It's bloody crazy. I'll go back to the office and go over all the data, see if I can find something - sense maybe.”

“It’s got me, I’ll tell yer. Can I clean this up?”

“No, not yet. Will that upset the visitors?”

 “What visitors?” Clancy dipped his head and grinned. “No one comes here any more. It’s more of a storehouse than a museum. All the information on the exhibits are available through HISTDOT, their computer data base link. That's how the students do it. Why would they want to come down here?”

“Okay, thanks Clancy. I'll contact you in a day or so. Leave everything as it is for now.”

In the antigrav he rescued his thoughts from the endless theoretical array of dead ends long enough to hit the RETURN button. The vehicle rose silently leaving the museum behind in the low mist - an age-stained crypt in the graveyard of the city. He looked up to the comforting vibrancy and light of the sky city above.

Back in the office, while the data was analysed he made himself a drink of diluted scotchliq. By the time he returned to his desk the processing was complete. He had the lot: photographic close up sequence, infrared, electron spectrographic descriptors display, molecular analysis of all objects. But what did he really have after an hour scanning every bit of information about the scene? Sweet fuck all.

That wasn't strictly true. He knew the implement used to smash the glass case was metal; there being the presence of ferrous oxide on pieces of glass. Also it had a point or end that tapered to two centimetres or so wide and a centimetre thick. According to impact analysis, the implement was most likely curved in some way. He was heartened to discover the overhead shots of the floor revealed a noticeable higher proportion of foot scratches and finer crushed glass leading from the case to an area near the extremity of the circle of spotlights.

If the crime was committed by more than one person, because of the bulk of the goods in question, he wondered how they transported their booty. Sack? No presence of unusual or unsourced fibres. Case, or cases, possibly. So what, Mac? What the hell does it matter what they carried the loot in. Can't even see how they got in and out? Don't even know . . . why?

He lay back in his chair and sipped his drink, staring at the junction of wall and ceiling. If he didn't find some lead or motive there was no point wasting time on it. Unsolved - he hated that. He could stop racking his brain at least. What more could he do? Nothing. He downed the scotchliq and went over to the bureau and got the bottle, laughing at the irony that his last case was a perfect crime; committed by unknown persons in an unknown manner, for unknown motives. One thing was for sure, he wasn't going to send himself mad trying to figure it out. It was dead already.
 

 

© Brian Armour 2009
 

 

 

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Jedikid129 avatar General Stranger

March 31, 2009

Jedikid129

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Jedikid129 reviewed Version 2 - Read 100% of the Item

“435th floor parking station” 435th floor of

“A dark shadowy world; looking up the sky was obscured” Looks like this should be separated into two sentences. “A dark shadowy world” seems like a sentence fragment. Also, “looking up the sky was obscured…” perhaps throw in a comma there.

Same with “In less than ten seconds the sleek…”

“The bot continued down the hall…imaginary mother’s tail.” The wording on this sentence had too many commas putting the brakes on the idea you were telling. I still got it though, and it made me chuckle. It might not be incorrect, but if worded better it would flow much easier.

As for the setting; you flawlessly covered just about every sci-fi thing that could be included. It all fit together perfectly. The thought of a carpet eating what’s dropped on it is quite cool.

I think you did a good job of providing a believable explanation for why people still worked as well.

You’ve set up a good mystery regarding the crime. As a reader, I’m completely stumped along with your character. It’s a sure-fire way to keep the reader interested, so I’m glad you didn’t reveal anything more in the first chapter.

Claire_D avatar General Friend

March 31, 2009

Claire_D

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Claire_D reviewed Version 2 - Read 100% of the Item

Welcome back. Good vacation, I hope? What a lovely tan you have.

Opening paragraph is tight and welcoming. So few writers on Urbis take the trouble to read their work through once, let alone strive to create a euphonious burr to their prose that cuddles and loves the reader. You do this.

Suggestions & Nitpicks:

‘equally uninterested’ > No one has been uninterested before this, so this threw me. Losing ‘equally’ is an option.

‘desk gripped’ > A comma between these words would be welcome, and another after ‘removal bot.’ Makes the sentence more pleasurable to digest.

‘early model removal’ > a mouthful. I’d lose the ‘early model’ detail as it’s superfluous.

‘ ‘most of…’ > is this an abbreviation of ‘almost?’ Saying ‘most…’ seems perfectly acceptable to me, so I can’t place what’s being dropped.

‘scraping… walls’ > used earlier, so maybe acknowledge this with ‘again’ or ‘re-scraped’?

‘wondered’ > I read this verb in the meaning of speculating or thinking. I’d change it to avoid confusion.

‘about hands’ > comma needed

‘filled to’ > why not lose this? You can lose ‘crowded’ too if you do this, make the sentence punchier.

‘next’ > lose

‘his dynamic’ > my dynamic past (if it’s a thought). Italicise, maybe?

‘scene…’ maybe an em dash here and after ‘lucky?’

‘like vision’ > awkward. Maybe ‘like the view…’

‘300 hundred’ > delete ‘hundred’ or replace the number with ‘three’

‘now one’ > what? This sentence isn’t finished.

‘redundant’ > really? This implies being out of work, rather than the last man in employment of 300.

‘actual’ > happen?

‘rapacious realised’ > of realised…

‘scotchliq’ > I want to know what this is! And I want some! Is it explained later? I need to know. Tell us.

‘since gladly’ > awkward. I would lose ‘long since’

‘stealing, nicking, lifting’ > same thing, no? Or can’t I take a joke?

‘somebody’ > swear. Go on, curse!

‘Mandates’ > apostrophise this

‘what… McFergus’ > Needs a question mark.

Italicised thoughts are brilliant. They spark the passages of explanatory info-dump prose, which will probably alienate most readers in a first chapter. That said, I admire the care and attention lavished on creating this dystopia.

‘windows, and eyes’ comma should come after and

‘well worn’ > hyphenate (and ‘well known’ later). Love this description.

‘tiding’ > tidying? I admire the risk taken with the punctuation here in depicting the fast-freeness of speech. Works for me.

‘break in’ > hyphenate

‘mystery…’ > second ellipsis isn’t needed.

‘was indeed’ > not needed.

‘world;’ > I would take a new sentence here. Brilliant architectural detail. Keen eye for detail.

‘today’s society’ > that is, the future, not the present?

‘unremarkable door’ > this judgement on the door was odd. Poor door.

‘about the scene’ > question mark needed (then new sentence – this deserves a new sentence for emphasis).

‘unsolved;’ > em dash

‘for sure’ > maybe a colon?

Overall, the writing is at its most eloquent when rendering this world. Having a strong imaginative canvas to paint this alternate world will be an incredible advantage in rendering it real. The main errors I found in the writing were galloping sentences and semicolon abuse, but these can be ironed out in post-production.

Criticisms?

Right now, there’s little setting or character development. The plot takes centre stage throughout, so I feel as though I’m being pulled God knows where. However, I am being pleasantly yanked along and sucked into the plot. The dialogue is compelling and we’re involved with Mac enough to care where this is going.

Now pour me some scotchliq. At once.

Claire

oknapp avatar General Stranger

March 31, 2009

oknapp Prolific-icon-medium

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
oknapp reviewed Version 2 - Read 85% of the Item

   “leant.” This is a past participle but would “leaned” work better?
“scotchliq…Do you mean scottch liquid?” What is this substance?
” Mac wondered,” What did he wonder?
“Please give the reader some idea of the items stolen. Why were they worthless? A museum is a protective house for valuable things.

I believe it is the dark atomosphere of this story that intriques me. I like the last parts of this work better than the first. It seems you found a theme and kept going.Perhaps it was the techinical language that jarred me, in the first half. Now, some will like it and perhaps understand it better than i. I like the idea of the museum theft and what will happen next. Over all i enjoyed it and believe if you work it right you could have a very Dan Browinsh type of mystery. good luck, andi

catipoet avatar General Stranger

March 31, 2009

catipoet

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catipoet reviewed Version 2 - Read 100% of the Item

On page one seconded sentence I would have uses leaned instead of leant.The word scotchliq I wonder if you mean Scotch liquid or a brand of scotch?. In This sentence ”” ‘most of them moved out now” I would have used already instead of now. antigrav was not sure about this word or the meaning, thinking you mean anti gravity till later on when on page 12 I figured out it was a type of vehicle. Over all you done a good job. Looking foward to reading more.

necessary824 avatar General Friend

March 30, 2009

necessary824 Prolific-icon-medium

REVIEW QUALITY: 100.0%(2 votes ) personal info reviewer stats
necessary824 reviewed Version 2 - Read 100% of the Item

I really like the concept – I think the language it a little too formal in the first few paragraphs. It took me a few to really get into it. But, once I was, I was hooked.

Several great lines:  ”misunderstandings of ownership” and I love the hint of accents – it’s not too over powering.

At times though…some clunky sentences that almost have to be reread to get: “He joined one of the ropeways of thousands of vehicles straddling the sky like brightly coloured enamel beads all linked by magnetic fields following pre-programmed paths to their destinations.”

A couple of minor errors, mostly with dialogue – a lot of your dialogue and beats are set apart by periods – the constant stopping effect almost interrupts the flow of the dialogue – which is a shame because you have a really nice natural feel for dialogue.

The story leaves the reader with a lot of questions – why is rape the crime most often committed? What changed to stop so much crime? What’s free graving? Why is monetary gain an abusurdity in this age? Why doesn’t anyone visit the museum anymore? They really leave the reader hungry for more – I want to keep reading, and, normally, this genre isn’t my “cup of tea.”

great last line.
Nicely done. Message me when the next installment’s ready.

TheFionnmeister avatar General Stranger

March 27, 2009

TheFionnmeister

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
TheFionnmeister reviewed Version 1 - Read 100% of the Item

Seems like  solid intro. You’ve managed the futuristic/consumerism theme well, and the character of Mac is easy to empathise with.

Couple of cons, really. The paragraph that spans pages 2 to 3 demonstrates excellent writing skills and vocabulary, but it really tricky to read, which removes a lot of immersion. Perhaps making it more understandable would help, with use of some simple sentences?

And, the character of Mac just isn’t memorable, to me. He’s a solid character, but he’s pretty generic. The upside of this is that it’s easy for the reader to “step into his boots”, because they’re familiar with his behaviour/thoughts/speech. The downside is that he doesn’t stand out in the mind of the reader, and when he’s one of a few clinging to the old ways of policing, being portrayed as a rare individual, he really does need to.

On the other hand, I really liked the speech. It reads very simply, almost like a transcript, which adds a great deal of realism (which also complements Mac’s character), so good job there.

You might want to change some of the “show and tell” sections. “He met”, “he thought”, “he looked back”. Maybe beginning these sentences in a slightly different way? It adds interest and keeps monotony at bay, at least a bit.

Hope I’ve been of help,
Fionn

jlryan31 avatar General Stranger

March 27, 2009

jlryan31

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
jlryan31 reviewed Version 1 - Read 100% of the Item

I’m glad I stuck with this for if I had based its merit entirely on the first few paragraphs I would have missed out on this very intriguing story. There were a few issues I had with some of the sentences in the beginging and I have outlined them below.

He pulled his feet off the table and stood up, more annoyed at his own attitudinal clumsiness

I looked up the meaning of the word attidinal and I don’t see it working here that well. This is the definition I found:
1. A position of the body or manner of carrying oneself: stood in a graceful attitude. See Synonyms at posture.
2.
a. A state of mind or a feeling; disposition: had a positive attitude about work.
b. An arrogant or hostile state of mind or disposition.
3. The orientation of an aircraft’s axes relative to a reference line or plane, such as the horizon.
4. The orientation of a spacecraft relative to its direction of motion.
5. A position similar to an arabesque in which a ballet dancer stands on one leg with the other raised either in front or in back and bent at the knee.

So he has oppositional clumsiness? I personally would choose another word here.

despite or because of the operator, who trailed behind it like a baby elephant holding it’s mother’s tail.

This part of the sentence didn’t make sense to me. Despite what? Is it because of the trailing operator it looked like a baby elephant holding its mother’s tail…

Just as it appeared it would come right into his office, it stopped, juggled the table to a vertical position and began manoeuvring the legs around the corner.

This also didn’t make sense. Why is it coming into his office or is it coming towards his office?

through the window of a runaway antigrav, speeding and spinning out of control until it all became a blur

What is an anitgrav? I understand this may be a shortening of another word but you might at some point just spell it out in it’s entirety for those readers that aren’t familar with the venacular.

He slipped down in the seat, and extending his stockinged toe, flicked a small switch. Out of the desk rose a holographic illumination of a miniaturised man in uniform. He recognised him immediately.

When did he take off his boots?

Also there are just way too many semi colons and colons in this work. I can’t say I have ever read a published work that had that many. In some instances it seemed all you needed was just to add another word to link it all together so I would rethink those just a little.

As far as the story goes it was good. It had a good draw in and made the reader think. I enjoy the sci-fi genre and the added mystery just made it all the more better.

Keep going with this I think with little more polish you will have a shiny gem here.

Matthewtuckey avatar General Stranger

March 26, 2009

Matthewtuckey

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Matthewtuckey reviewed Version 1 - Read 100% of the Item

Interesting- the clothes eat.

“Appeared that it would” – saying this would prevent us from thinking you mean “the moment people could see it”. I had to read the line twice.

Was the controlling unit attached to the bot by a lead or something? That would look like a baby elephant holding it’s mother’s tail. If you tell us this we can tell whether it’s a good simile. Also the line “despite or because of” doesn’t quite make sense to me.

“his hands in his pockets” I’d have thought would read better. Sounds like he’s got other hands in there.

“Various settings and situations”- to really let us get inside his head I wouldn’t generalise. I’d describe one memory, then another. Otherwise you distance the reader from the protagonist.

“Runaway antigrav”- because we can only guess what this is, it doesn’t conjure up a solid enough image of what his mind is doing- other than the following “speeding and spinning” line. If you tied it down a little and called it a “speeding antigrav bike” or something, it would be more closely tied into an earthly artifact that the reader would be more familiar with.  

“Homicide was not booming either”- a bit vague- was it ever booming? I get it’s sarcastic, but how much was it reduced?

“Not dollars and cents”- this could be described a bit clearer- tell how the credits gained this influence and how this worked when, for instance, just going to the shop to buy a few things. How did the influence work then?

“stealing, nicking, lifting”- aren’t these the same thing?

”...going to do McFergus? You’ve…”- Separate to two sentences to prevent run-on. Full stop not question mark after “all”. A grammar check would also pick up some errors in the speech.

The museum guard seems quite naive- he doesn’t seem to know if the money artifacts are valuable. This is a good take, but I’d write to this to show how the people of your story’s era don’t know too much about it. He also doesn’t seem too bothered that people might ask: “Where were you when they broke in?!” Are people becoming lazy as well as ignorant in the future world? Based on today’s newspaper reports on the changing times, I’d say in the future they will. But I’d describe this idea a bit more.

Interesting that you describe Clancy as a vampire. When you mentioned “Old Excavations under a building”, I thought of Coppola’s version of Dracula.

By page 10 I’m starting to think time travel might be a theme. I’m reminded of Timecop. Hence getting in and out of a locked place without trace, and money-  worthless at the time- being stolen.

“spray of glass” is good, but don’t use the exact phrase twice in the same para.

He seems to drink a lot of whiskey, but it doesn’t seem to affect his job at all- nobody so far has mentioned it. Also his behaviour doesn’t seem to match a drunkard or anything. I’m wondering why it’s included.

Main problem: At the beginning you put the narrative on hold to explain the world. Then, after political descriptions etc, the narrative eventually starts- the story moves forward. I wonder if you could blend the two together so that the backstory and current story move in synchrony.

JeremyRays avatar General Stranger

March 25, 2009

JeremyRays

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
JeremyRays reviewed Version 1 - Read 100% of the Item

This is a very well written piece with a few nagging issues that forced me to read just a couple of excerpts twice to get them.

The holo failed to zoom, and he surmised it was an very early model. Crunching down to talk to the diminutive figure was awkward. “Are these notes worth
anything do you think?”

I understood this phrase after I read it once or twice, but initially i found it more than a little confusing.

Clancy’s frozen form broke down cell by cell as it sank into the desk; the human image slowly overcome by transparent snow.

I love this line even though it caused me to double back to fully comprehend it. Maybe you could write “The image of Clancy’s form” or something of that nature to alleviate reader confusion.

As the lift door opened on the 435th floor parking station he looked out on a near cloudless day, at this altitude at least. He took a keypad out of his pocket and pushed the summon button. In less than ten seconds the antigrav slipped up and opened a door.

My last minor gripe is i would like to see a description of this antigrav as it appears to Clancy. From what I learned in the description  of rope ways described as giant enamel beads i found then fascinating contraptions.

Other than that i feel you have spun a very compelling yarn. In a fantasy world of tomorrow completely backwards from what drives us today.  Throwing the Capitalist consumerism out the window seems like a mind blowing idea and perhaps the next step in human evolution.

In closing I would like to say

As far as your plot it’s still too early to tell, though it shows a lot of promise. Ill admit honestly i have no clue why worthless money would be stolen and i can’t wait to see the reasoning behind this.

I like the characters and definitely feel you are on the right track in that department. Clancy especially, seems as if he is a futuristic version of Sherlock Holmes mismashed with a detective from the crime show drama CSI

SwordMistress avatar General Stranger

March 25, 2009

SwordMistress Prolific-icon-medium

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
SwordMistress reviewed Version 1 - Read 100% of the Item

You have an interesting premise and write pretty well.

I think the best place to start this to really draw the reader in is with Clancy’s call. Before that nothing really happens and all the information you’ve given can easily added else where. The steeling of ancient notes in a time when theft doesn’t happen anymore is very intriguing. It immediately gives a great unanswered question, ‘why did they steel the notes?’ to spur the reader on.

“finely cultured suit.” Delete ‘finely.’ Since cultured means refined it’s redundant.

“attitudinal clumsiness” delete ‘attitudinal.’ It doesn’t add anything to the meaning of the sentence.

“He watched the droplets” He watched as the droplets

“fall through space, bounce and remain beaded on the equally uninterested carpet.” Fell through space, bounced, and beaded on the carpet.

“There was a desk gripped in the multiple metal claws of an early model removal bot moving down the hallway toward him.” An early model removal bot moved down the hallway toward him, a desk gripped in it’s multiple metal claws. (Not sure what you mean by multiple metal claws. I think maybe you mean the bot has multiple claws. The way it reads it has multiple metals in the claws.

“soft-faced man” Not sure what a soft-faced man would look like. Does he have a fat face? Squishy? Delicate features?  

“Mac recalled in 2395,” Don’t stop the story with a big information dump, especially early on. Only give way the reader needs to move on with the story. Everything else can wait.

“Out of the desk rose a holographic illumination of a miniaturised man in uniform.” A holographic image of a miniature man in uniform, rose out of the desk.

“an very early” a early

“He waited patiently for an instant,” I don’t think an instant gives anyone enough time to wait patiently.

“Free-graving was only permitted” You do great job here of giving the information we need in a small chunk, just when the reader needs.

“the soles of his feet.” Wouldn’t he feel through the soles of his shoes?

“fecund emanation of warm, humid earth.” You tend to occasionally go overboard with your descriptions and it’s not consistent with the rest of your writing.

“without apparent irony.” Why would that fact the he can’t shed light on the crime be ironic?

“I don’t know?” How is this a question?

“the fabric retreated” what fabric? Where?

“Near the lift well Clancy” delete ‘well.’

Not much in the ending to get the reader to move on to the next chapter. Sounds like Mac had given up and there’s no clues. Why should I turn the page? I am sure there is more to learn, but it doesn’t sound like it. Makes it easy for the reader to put the book down.

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BrianA

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Loc: Australia
Gen: M
Last Login: November 16
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