Thank you. You’ve given me something to think about. Thanks for your time and your always clever suggestions.
McKinley
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“Ancients”
I am enchanted
By swirling storm clouds
And the churning sea
By woeful minor chords
From bows that move in unison
Over rich bent wood
From ancient forests
Created for future music
Sad, violent beauty
Penetrates the soul like no other
And that’s why I love you
April, 2006
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This is only my opinion, of course, but I think that “And that’s why I love you” is not really needed here.
I’m not sure about “Sad, violent beauty / Penetrates the soul like no other” as well. There’s something slightly banal about the phrase “penetrates the soul”, don’t you think?
Hi there,
A nice piece. Your comments here were very helpful for I am too dense to connect the word ‘bow’ used here. That said, it is a warm piece once one understands the usage of such a beautiful musical instrument and tying it in with natures ebb and flow of our oceans. I can create my own visuals of someone even sitting on a white sand beach, crystal blue skies, a picturesque woman playing her violin, in-time with mother nature…
When I read it thru a few times I found myself stopping at the last stanza, thinking, I wonder if one could get away with saying “Sad, violin(t) beauty”
I dunno, it just kept sticking in my head. This is another poem to be proud of.
me…
I really like the second strophe. What if you killed all but the second strophe and modified it a bit? Here’s one possibility:
“I am drawn by woeful minor chords
From bows that move in unison
Over the rich bent wood
of ancient forests
Created for our future music.”
I actually added the article “the”, one I often strike, but in this case it allows “of ancient forests” instead of another “from” and perhaps it accents that wood as specific wood. ”I am drawn” makes it possible to omit the moon and sea… two very overdone subjects in poetry. They still make for great poetry, but in this short piece they are done no justice in the mentioning. The use of “drawn” also has the advantage of double entendre, as one can be said to draw a bow across an instrument’s strings. Some trite expressions at the end I have likewise taken the liberty of culling, making the last line, “our future music” to hang it together.
This part of the poem, its middle, is quite strong. It can stand alone as I have shown it (or in some similar form,) or it can be expanded on in another direction, perhaps with the idea of “that’s why I love you” in mind, expressed without being stated so directly. In any case, just my $.02 as usual. Take them for what they are worth! :)
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