Query Letter / The Dubai Connection

Dear Laurence,

This query letter is in response to the Urbis Opportunity.

“The Dubai Connection” is a 93,500 word completed novel that I am submitting for your consideration. It is the third of three submissions I am making for these Urbis Opportunities, the other two have been submitted for Susanna. I will not bore you by duplicating my autobiography etc here.

Love, hate, sex, action, murder and a modicum of angst all set in modern day Dubai.


Synopsis:

David had been brought up as a Christian and, though his faith had lapsed by his early twenties, that early morality remained with him until his wife and unborn child died due to an “administrative” mistake in the UK. After years of fruitlessly fighting for some form of justice, alternating with constantly battling the lethargy brought on by depression, he finally snapped.
Six “hits” later, and “thou shall not kill” no longer part of his moral code, David decided it was time for self preservation and he ran from the UK.

Rianne had an almost idyllic childhood, in Surry, England, until both parents died in a car accident and her brother in a coach crash a month later. Adopted by her uncle, carefully nurtured by him to increase and harden her emotional walls, she eventually becomes one of his assassins ‘fighting on the side of the good guys’.

Rianne on a contract, David escaping the UK, they both sit next to each other on a flight to Dubai. At first, they indulge in idle chit chat and enjoy the false sense of normality. Yet, with both their guards down, they find mutual attraction and drawn almost inevitably into sleeping together in her apartment when they land in Dubai.

The next morning, Riannes world intrudes as two armed thugs arrive at the hotel and David is drawn into helping her kill them. The temporary solace disturbed, the dream broken, they quickly part ways.
Those paid to defend the man Rianne has come to kill, however, then see David as a potential means to find and kill her.
Forced back together, they see a chance with each other to try to divorce themselves from their past, attempt to start again and become normal people. That, however, involves a decision – can they stop being killers by taking on “one more hit”?

As more people become involved, as the one hit develops into many, their veneers of cold hearted killers crack and they realize what they have become and the price they have paid. That ‘escape’ appears to become denied by almost insurmountable barriers.
People from their past, people they once cared about, become involved; including Riannes uncle - who wishes to use their new sense of hope to achieve his own ends.
 

“Dubai Connection” is an action adventure story, but also asks questions about morality on both a personal and a political level. Can cold hearted killers, when they believe what they do is morally justified, also be nice people?


Sample Chapter:

Prologue: 2003 Surry

David found that taking out his first target was far harder than he had thought it would be. He called the man a target, yet he knew that what he was doing would not be labeled an assassination.
Luck and planning both played a part and his setting up the shot had become a relatively easy task.
He had parked his car in a small country road lay-by, locked the doors, climbed the metal field gate and headed across the pasture field. The English mid-winter early nightfall and a cloud masking the moon allowed him to feel safe walking straight across the open space rather than follow the perimeter, no one would see him this evening.
That, and the fact he now carried a soft cloth carryall, were all that made this time different from the many practice runs he had made in the last month. He quickly passed through the small copse of trees that edged the far end of the field, then broke cover once again and crouched down at the start of more grassy pasture land. The house was less than fifty meters away and slightly downhill from where he had stopped. He opened the carryall and removed the small support tripod, embedding its legs in the soft earth.

He had rehearsed everything so often that he could have carried out this part of the task with his eyes shut. Next, he removed the sections of the rifle and assembled them, leaving fitting the telescopic sights until last. Finally he lay on his stomach, rested the rifle on the tripod, dialed in the range and began adjusting the sights. The country home, with its ivy clad walls, slate roof and leaded windows soon blurred as he focused on the dining room window.
He could see the Cromwellian wooden dining table and the incongruous regency chair where the man would soon be sitting to eat his evening meal. David moved his head slightly and took his eye away from the scope. He could use unaided vision to watch until the target entered the room.
His senses seemed heightened, and he noticed that the grass was damp and he could smell the leaf mould from his trek through the woods. A movement in the room sharpened his concentration. Sure enough, the man stuck to his routine like clockwork and had just entered right on time. David returned his eye to the scope.
It was only then, with the target in his sights, that David discovered that the hard part was actually squeezing the trigger.

Right up until that moment, he had been driven by a submerged anger; it was there under the surface all the time, but externally expressed with a cool calm focused attitude.
Then, suddenly, it was gone, the anger evaporated and self preservation taking its place.
The thought of taking this man’s life did not deter him, what this man had done to him, to his family made David absolutely certain that this doctor MUST die.
It was the permanence of the decision, the fact that pulling that trigger would be totally irreversible. Once the bullet was on its way, David would have become a criminal, a murderer in the eyes of the law.
That went against everything he had ever been taught.

His hands shook, beads of sweat formed on his forehead, the metal trigger seemed slippery in his perspiring fingers.
He let go of the rifle, placed one arm on the ground to one side and rested his head on the soft jacket sleeve. He began purposely slowing his rate of breathing, slowly in, slowly out, calm, relax. That’s right. Now, do what you came here for.
Once again he gripped the rifle and sighted through the scope. The doctor was slowly sipping soup.
Count to three, breath in, then slowly breath out and squeeze, gently squeeze. There, the decision had been made, the task completed. And in that moment, all the fear departed.

He had decided against using a silencer in case it reduced the velocity too much over the distance, it had to break through glass before striking the target. He felt safe in doing this, it was hunting country and the sound of shotguns was often heard.
However, the crack of the rifle shot was surprisingly loud now he was not wearing ear muffs, and he heard it echo off some distant hills.

The trip back across the fields to the car was totally uneventful, and he was soon driving away just as he had done each time before – but this time with task complete.

He did not allow himself to register the sight of the blood gushing from the man’s head, flowing both into the soup and across the white tablecloth.

 

 

 

You need to log in to urbis or create an urbis account to review this writing.

Reviews

Sort Reviews by  Newest |  Oldest |  Highest Quality |  Lowest Quality |  Newest Comments | 

 
derekosborne avatar Random Review

September 26, 2008

derekosborne

REVIEW QUALITY: 100.0%(3 votes ) personal info reviewer stats
derekosborne reviewed Version 1 - Read 100% of the Item

“Luck and planning…... easy task.”  Strunk “his” in this sentence.

“That, and the fac…...... in the last month”  The comma after carryall, though grammatically correct, signifies a breath to the reader that disrupts the action and dulls the heightening sense of urgency. I’d get rid of it.

“He opened the carryall….. in the soft earth.”  Nice detail.  It’s about the gun and the deed but subtle.  When a reader picks up on a subtlety he/she feels like an insider.  Of course, if you get too subtle the reader is alienated.

“assembled them, leaving fitting the telescopic sights until last.”  I’d loose the word “fitting”.  It made the phrase a mouthful and the sentence stands fine without it.

“The country home, with its ….. dining room window”  Nice zoom in to the interior, focusing both the rifle and the narrative.  Cinematic without calling attention.

“It was only then…..actually squeezing the trigger.”  Strunk this entire sentence.  You have already set this up and the reader can sense the moment of indecision.  Go right to the next sentence.  The reader will feel a slight skip in exposition which will heighten the sense of nervousness and doubt.

“expressed with a cool calm focused attitude.”  Jury’s out on this one. I get what you are doing but you might want to consider the standard punctuation and use commas.  Any slight oddity now will break the reader’s concentration.

“over the distance, it [the bullet] had to break through..” Just a thought.

“the sound of shotguns was often heard..”  Again, grammatically correct, but how does the sentence feel?

“However, the crack of the rifle ….. some distant hills.”  For dramatic effect, how about changing this to three declarative sentences. The reader has been waiting for this moment and you’ve got us coming in a sock instead of you know where.  This would also make the last two sentences more powerful.  He is already distancing himself, a natural reaction, just as in battle or after the hunt.  We are hardwired to regret killing anything unless we are genuinely sociopathic.  It is a basic component of survival.  You are guaranteed that your reader will have similar feelings of guilt or revulsion, especially since you have set it up so well.  So indulge.  The kill is what readers of this genre crave, so let them have it.

smash54 avatar General Stranger

September 26, 2008

smash54

REVIEW QUALITY: 0.0%(1 vote ) personal info reviewer stats
smash54 reviewed Version 1 - Read 100% of the Item

For the most part, this is solid.  Your writing seems very efficient and clean.  And I guess that is also one of my only suggestions.  You could really get some miles out of how this guy feels leading up the killing.  We learn the how as he sets up his gear and decides against using that silencer, but what are the true conflicts going on in his head?  That’s the meat of this piece, in my opinion, and it could really be fleshed out with some internal conflict of sorts.  Good luck!

BrokenPoet12 avatar General Stranger

September 25, 2008

BrokenPoet12

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
BrokenPoet12 reviewed Version 1 - Read 100% of the Item

Your query letter promises a good story. Your sample chapter ever so slightly lets down that promise. I’m curious to know who your target audience would be with this book. Obviously adult fiction/mystery/action readers, but are you going after a particular group? I’m only asking because the language and description in the sample are a little bit muted. You could use more description, more detail. You’ve written about a pivotal moment in the character’s life but it seems kind of rushed.

Take your time. Become your character. He’s a patient, albeit nervous assassin in the beginning. If you can’t become your character, then the reader will have trouble too.

Finally, be careful for sentences that run too long.
“The thought of taking this man’s life did not deter him, what this man had done to him, to his family made David absolutely certain that this doctor MUST die.” This could be split up. I saw a few others as well. It just gets to be choppy reading when the sentence goes on and on.

Overall I think the story is going to be fantastic and I’m just offering my own opinions. It can be hard to take someone else bashing on your work. Good luck to you and with your story.

Claire_D avatar General Stranger

September 25, 2008

Claire_D

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Claire_D reviewed Version 1 - Read 100% of the Item

The opening sentence of this submission, which I gather is a postmodern spin on the seminal William Friedkin thriller, more famous for lending its name to an uptight clothes firm than for its exhausting car chase to modern audiences, starts proceedings with a piece of understated, almost bone-dry humour, humanising the assassin and almost coaxing the reader into being empathetic about his plight.

The novel shares its sympathies with independent crime thrillers or leftfield comic dramas, stationing itself in the camp of intelligent and explorative stories that aim to show the similarities between ourselves and the ‘criminally unhinged’ people, who could very well be normal folks like our fat next door neighbours or brattish little cousins.

Suggestions, to be ignore or embraced at your discretion:

“would not” = ‘could not’ sounded more fitting to my ears, but the word is perfectly acceptable. ‘Would’ implies that later on this act is in discussed in some way or, indeed, labelled.

“his setting up…” = sounds awkwardly phrased, perhaps lose ‘his’ and place a comma after ‘part’

“road” = we can lose this word, as ‘lay-by’ carries both meanings (i.e. the road and the side of said road).

“English…” = I think there are one too many adjectives before ‘nightfall’ as three makes the sentence gallop somewhat. I would lose ‘early’ myself.

I would make “no one would…” a separate sentence, as it hangs from the previous sentence with no real connection. (At last, from a grammatical POV).

“more grassy…” = I think ‘pasture’ implies an area marked by heavy grass or herbage. I think ‘grassy’ can be replaced for something more descriptive.

“leaving fitting” = sounds awkward, so I think you could lose ‘fitting’ and the careful description would not be jeopardised.

“Cromwellian” = I found this detail superfluous here, and the sentence flows better without it.

“had just” = lose the ‘just’ here

This scene builds up well. The tension were is for whether the assassin will perform his killing properly, rather than for the life of the soon-to-be-dead man. I think since the intention is to focus on the success of the protagonist here, it is an effective nail-biter.

“taking its…” = took

New sentence after ‘deter him.’

“too one side” = vague phrasing here, I would lose this entirely.

Not sure about “sighted” here, as it sounds incorrect. A more straightforward synonym such as ‘peered’ is dull, but fits better.

“sipping [his] soup”

“breath” = breathe

“all the fear” = his fear?

“off some distant…” = vague description here, given the thoroughness of the details so far.

A nice bloodcurdling image of the soup and blood combined. The details surrounding the scene are also well sketched, making this an interesting and engaging start to this submission.

Best,

Claire_D

Curtastrophe avatar General Stranger

September 25, 2008

Curtastrophe

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Curtastrophe reviewed Version 1 - Read 100% of the Item

Ah! Very little to criticize here, so I’ll just point out what I liked about it.

David’s character is set up quickly, but efficiently. He is rendered well in that he’s flawed, but for a genuine reason—the death of his family at the hands of someone who’s sworn to protect life. I’m very fond of the “anti-hero” archetype because to me, they’re more believable as opposed to the purely good hero and the innately evil villain.

From here the story swoops to the English countryside where David is preparing for a hit. I get the idea that this is the first time David has actually carried out a killing, although he’s played the scenario through many times in his mind. The “discovered that the hard part was actually squeezing the trigger.” shows his inner conflict and allows the reader to empathize. Then the reader is shown the physical effects--the stress--this situation is having on him. This is good.

“He let go of the rifle…” By the character’s decision to lower his own tension, this actually heightens it for the reader. I thought for sure he was going to pull the trigger . . .

A trivial thing, “slowly sipping soup.” bothers me because of the alliteration. Perhaps “The doctor was slowly dipping bread in his soup.” or something of the like.    

The last sentence is great. I liked the juxtaposition of the blood, soup, and white table cloth. Gory, but good.

Tight writing, excellent use of sensory data--smell, sight, sound--and tension. I’ve got no complaints. Nice work.    

-Curt  

  

Showing 1 - 5 of 5

Creator
avedis avatar

avedis

Age: 49
Loc: Malaysia
Gen: M
Last Login: November 20
Relevant Links
Item Stats

GENERAL

5 Reviews 6 Comments
Version 1
Latest Activity: about 1 month ago

REVIEW QUEUE

Appeared in Queue: 71 Times
Skipped: 2 Times
Large_opportunity Opportunities
Tags

There are no tags for this item.